Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of graphite and colored pencils on cream wove graph paper.

Untitled, 1980

Christina Ramberg

A work made of inkjet print.

Dried Leaves Falling series, #3, 2004

Esther Parada

Heirs Come to Pass, 3

Heirs Come to Pass, 3, 1991

Martina A. Lopez

A work made of two-panel screen; ink, colors and gold on paper.

Flower Arrangements, active 17th century

A work made of bronze.

Saccomazzone Players, c. 1621

Orazio Mochi

A work made of oil on canvas.

Madame Paul Escudier (Louise Lefevre), 1882

John Singer Sargent

A work made of acrylic on eight panels.

Corset/Urns, 1970

Christina Ramberg

A work made of potatoes, zinc and copper electrodes, voltmeter, electrical cable and nylon monofilament, chair, wood, cloth, and text panel.

Analogía I, (2da. versión), 1970-77

Victor Grippo

Mixed-media work incorporating found objects that depicts five light- and dark-skinned musicians playing musical instruments.

The Jazz Wall, 1963

Marisol

A work made of linocut in black on two sheets of cream wove paper.

Untitled (Composition for a Peace Poster), c. 1950

Alberto Beltrán

A work made of silver dye-bleach print.

Untitled, c.1980

Luis Medina

Egypte, Nubie, Palestine et Syrie

Egypte, Nubie, Palestine et Syrie, 1852

Aimé Rochas

A work made of vandyke print.

Our House, from the series "Chickenbones and Watermelon Seeds: The African American Experience as Abstract Art", 2001

Rashid Johnson

A work made of counterproof of aquatint in reddish-gray on ivory laid paper, ruled in pen and brown ink.

Cupid and Psyche, 1766

Abbe de Saint Non

A work made of silver dye-bleach print.

Untitled, c.1980

Luis Medina

A work made of silver dye-bleach print.

Untitled, c.1980

Luis Medina

A work made of bronze.

Self-Portrait as a Chimera, c. 1880

Sarah Bernhardt

A work made of aluminum.

Softly, effectively, 2017

Park McArthur

A work made of bone china, enamel, and gilding.

Pair of Jardinieres, 1874

Sculpture of a man's head in beige limestone, facing front. The nose is strong and angular, the lips closed and full, the ears flat at top, the hair textured and cropped short. The wide eyes are deeply carved.

Head (Head of a Man), c. 1941

Elizabeth Catlett

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