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A work made of watercolor, ink, and collage on commercial legal paper.

from the series I Strongly Believe in Our Right to Be Frivolous, 2012–17

Mounira Al Solh

A work made of watercolor, ink, and collage on commercial legal paper.

from the series I Strongly Believe in Our Right to Be Frivolous, 2012–17

Mounira Al Solh

A work made of watercolor, ink, and collage on commercial legal paper.

from the series I Strongly Believe in Our Right to Be Frivolous, 2012–17

Mounira Al Solh

A work made of watercolor, ink, and collage on commercial legal paper.

from the series I Strongly Believe in Our Right to Be Frivolous, 2012–17

Mounira Al Solh

A work made of watercolor, ink, and collage on commercial legal paper.

from the series I Strongly Believe in Our Right to Be Frivolous, 2012–17

Mounira Al Solh

A work made of watercolor, ink, and collage on commercial legal paper.

from the series I Strongly Believe in Our Right to Be Frivolous, 2012–17

Mounira Al Solh

A work made of watercolor, ink, and collage on commercial legal paper.

from the series I Strongly Believe in Our Right to Be Frivolous, 2012–17

Mounira Al Solh

A work made of watercolor, ink, and collage on commercial legal paper.

from the series I Strongly Believe in Our Right to Be Frivolous, 2012–17

Mounira Al Solh

A work made of watercolor, ink, and collage on commercial legal paper.

from the series I Strongly Believe in Our Right to Be Frivolous, 2012–17

Mounira Al Solh

A work made of watercolor, ink, and collage on commercial legal paper.

from the series I Strongly Believe in Our Right to Be Frivolous, 2012–17

Mounira Al Solh

A work made of watercolor, ink, and collage on commercial legal paper.

from the series I Strongly Believe in Our Right to Be Frivolous, 2012–17

Mounira Al Solh

A work made of oil on canvas.

Belated Revolutions, 2022

Mounira Al Solh

A work made of watercolor, ink, and collage on commercial legal paper.

from the series I Strongly Believe in Our Right to Be Frivolous, 2012–17

Mounira Al Solh

A work made of mixed media collage, paper, reclaimed nails, and thread over reclaimed wood.

Landscapes of [Re]Construction, 2019-21

Emmanuel Pratt

A work made of hard-paste porcelain and polychrome enamels.

Dish, c. 1725, Qing Dynasty (1644–1911), Yongzhen period (1723–1735)

A work made of black chalk and black conté crayon, with graphite, on ivory wove paper.

Scandalized Masks, 1883

James Ensor

A work made of blown and cased glass.

Vase, c.1885–90

Thomas Webb & Sons

A work made of porcelain.

Vase with European Figures, c.1750–70

A work made of bronze, gilt bronze, and cloisonné enamel.

Wall Clock, c. 1880

L’Escalier de Cristal

A work made of pastel, with various charcoals and touches of black chalk, stumping and erasing, on pale-pink wove paper with red fibers altered to a golden tone, laid down on cardboard.

The Beacon, 1883, reworked c. 1893

Odilon Redon

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