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A work made of black chalk with brush and black ink and brown wash, heightened with white gouache, on ivory laid paper prepared with a gray wash.

Fingal Mourning Over the Body of Malvina, from Ossian's Berrathon, c. 1810

Anne-Louis Girodet de Roussy-Trioson

A work made of red and white chalk on brown laid paper, laid down on cream laid paper, with a blue laid paper border.

The Hind Legs of a Horse, n.d.

Charles Le Brun

A work made of lithograph on cream wove paper.

The Bricklayer and His Son, 1945/46, printed 1970

Pablo O'Higgins

A work made of red chalk with graphite on cream laid paper.

Samian Sibyl, c. 1630

Claude Vignon

A work made of pen and black ink, non-photo blue pencil, white correcting fluid and letraset tapes on ivory card, with overlay in brush and red ink on tracing paper.

Untitled, left side, n.d.

Sergio Aragones

A work made of pen and black ink with brush and gray wash, ink and white gouache, with touches of non-photo blue pencil, on cream wove card.

He Goes On Record, from Peter Public, 1925

Clifford Alexander

A work made of pen and black ink, non-photo blue pencil, white correcting fluid and letraset tapes on ivory card, with overlay in brush and red ink on tracing paper.

Untitled, right side, n.d.

Sergio Aragones

A work made of pen and black ink, non-photo blue pencil, and white correcting fluid on white wove paper.

The Don King Institute of Accounting, from Curtis, 1995

Ray Billingsley

A work made of pen and black ink and watercolor on white wove card with tracing paper overlay.

“He's hardly how I imagined him,” from Bigfoot, c. 1981

Nick Downes

A work made of pen and black ink and watercolor on white wove card with tracing paper overlay.

"I've been putting up with their insinuations that I'm a lousy math teacher for this many years!", from Mathematics Dept., c. 1989

Nick Downes

A work made of pen and black ink, and black fiber-tipped pen, with touches of white correcting fluid and non-photo blue pencil, over graphite, with cut-and-pasted text, on ivory wove card.

In the Secret Cellar Laboratory of Sidney Sykes…David Banner Awakes!, from The Incredible Hulk, 1981

Larry Lieber

A work made of pen and black ink, non-photo blue pencil and black fiber-tipped pen, on white wove paper.

If There are Any Fish There, Ol Joe Jinks'll Catch 'Em!, from Joe Jinks, 1940

Lynn Jenkins

A work made of brush and black ink on white wove paper.

Psst...Have you tried Retin-A?, from Mother Goose & Grimm, c. 1988

Mike Peters

A work made of pen and black ink on ivory card with cut and pasted text.

Now Free from Electronic Control, The Hulk Grabs Angrily at the Inactive Remnant of His Endowment, from The Incredible Hulk, 1981

Larry Lieber

A work made of pen and black ink, white correcting fluid and black fiber-tipped pen on cream wove paper.

All You Could Hear was the Rustling of Her Psoriasis, from Casey, 1977

Charles Rodrigues

A work made of pen and brush and black ink, and colored crayons, with self-adhesive toning film, on cream wove card.

Untitled, 1956

Dorothy Bond

A work made of pen and black ink, and graphite on cream wove paper (substrate is made of at least three sheets layered together); graphite, blue, and red pencil sketches, verso.

Dad, Also, Has an Idea, from Tommy McCraw, 1928

Boody Rogers

A work made of photomechanical engraving plate nailed to wood block.

Line block featuring "Dick Tracy" characters, 1948

Chester Gould

A work made of black wax crayon, with graphite on cream wove paper.

Seated Nude with Lamp, c. 1925

Jan Matulka

A work made of lithograph on cream japanese paper.

Nude, 1925

Jan Matulka

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