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A work made of stoneware.

Dish, c. 1708-13

Meissen Porcelain Manufactory

A work made of stoneware.

Coffeepot, c. 1708-13

Meissen Porcelain Manufactory

A work made of bronze.

The Institution of the Rosary, c. 1590

Circle of Jacopo Sansovino

A work made of faience.

Amulet of a Hare, Third Intermediate Period, Dynasty 21–25 (about 1069–664 BCE)

Ancient Egyptian

A work made of graphite on cream wove paper.

Two Men at a Table, n.d.

George Morland

Head of Pierre de Wissant

Head of Pierre de Wissant, Modeled c. 1885–86, cast c. 1913/23

Auguste Rodin

A work made of oil on panel.

Francesco de' Medici, c. 1560

Alessandro Allori

A work made of silver, gilt bronze, lapis lazuli.

Crucifixion of Saint Peter, 1770–80

C. Luigi Valadier

A work made of bronze.

Hercules and Antaeus, 1600–1625

Pietro Tacca

A work made of stoneware.

Teapot, c. 1708-13

Meissen Porcelain Manufactory

A work made of stoneware with gilded silver mounts.

Teapot, c. 1708-13

Meissen Porcelain Manufactory

A work made of stoneware.

Teapot, c.1708-13

Meissen Porcelain Manufactory

A work made of watercolor over traces of graphite on paper.

View from the Hotel Swanaze, India, n.d.

Sir Charles D'Oyly

A work made of etching, aquatint, drypoint and burin on ivory laid paper.

Pedro Romero killing the halted bull, plate 30 from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

A work made of etching on ivory laid paper.

A Chalice, 1640

Wenceslaus Hollar

A work made of etching in black from two plates on white wove paper.

Heads, 1973

Christina Ramberg

A work made of book of 122 etchings on paper.

Opere Varie di Architetura; Raccolta di Alcuni Disegni del Barberi da Cento detto Il Guercino, 1750-1764

Giovanni Battista Piranesi

A work made of graphite on ivory laid paper.

Seated Female Nude, c. 1925

André Lhote

A work made of engraving on ivory laid paper.

Mars and Venus Surprised by Vulcan, 1585

Hendrick Goltzius

A work made of black chalk and opaque black and white watercolor, with touches of ochre watercolor, on tan laid paper.

The Captive, from Sterne, 1786

Josiah Boydell

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