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A work made of pen brown ink and brush and brown wash, heightened with lead white (with later additions to left knee and face of virgin), over traces of black chalk, on ivory laid paper, laid down on tan laid paper.

Study for the Pentecost, c. 1580

Simone Peterzano

A work made of pen and black ink on cream paper, tipped onto blue-green wove paper.

Invitation to a concert, n.d.

Félicien Rops

A work made of manuscript cutting in tempera, colored inks, and silver leaf, with incising, and with latin inscriptions in brownish black and red inks, ruled in red, on vellum.

Decorated Initial "P" with Roses from a Manuscript, n.d.

A work made of manuscript cutting in tempera, colored inks, and silver leaf, with latin inscriptions in brownish black and red inks, ruled in red, on vellum.

Decorated Initial "A" with Flower from a Manuscript, n.d.

A work made of manuscript cutting in tempera, colored inks, and silver leaf, with latin inscriptions in brownish black and red inks, ruled in red, on vellum.

Decorated Initial "M" with Roses and a Medal from a Manuscript, n.d.

A work made of manuscript cutting in tempera, colored inks, and silver leaf, with latin inscriptions in brownish black and red inks, ruled in red, on vellum.

Decorated Initial "O" with Flowers from a Manuscript, n.d.

A work made of manuscript cutting in tempera, colored inks, and silver leaf, with latin inscriptions in brownish black and red inks, ruled in red, on vellum.

Decorated Initial "T" with Flower from a Manuscript, n.d.

A work made of manuscript cutting in tempera, colored inks, and silver and gold paint, with latin inscriptions in brownish black ink, ruled in red, on vellum.

Historiated Initial "N" with Crucifix from a Manuscript, n.d.

A work made of manuscript cutting in tempera and gold leaf, with latin inscriptions in brownish-black and red, ruled in red, verso, on parchment.

Decorated Initial "N" with Terme (or Grotesque) and Urn from a Manuscript, n.d.

A work made of manuscript cutting in tempera and colored inks, with latin inscriptions in brownish black and red inks, ruled in red, on vellum.

Decorated Initial with Flowers from a Manuscript, n.d.

A work made of manuscript cutting in tempera and colored inks on vellum.

Manuscript Cutting with Flowers, n.d.

A work made of manuscript cutting in tempera, colored inks and gold leaf on vellum.

Illuminated Border with Peacock, Bird, Snail, Fruit and Flowers, n.d.

Unknown illuminator

A work made of manuscript cutting in tempera, colored inks and gold leaf on vellum.

Illuminated Border with Moth and Flowers, n.d.

Unknown illuminator

A work made of manuscript cutting in tempera, colored inks and gold leaf on vellum.

Illuminated Border with Bird, Strawberries and Flowers from a Choir Book, n.d.

Unknown illuminator

A work made of manuscript cutting in tempera, colored inks and gold leaf on vellum.

Illuminated Border with Flowers, n.d.

Unknown illuminator

A work made of manuscript cutting in tempera, colored inks and gold leaf on vellum.

Illuminated Border, n.d.

Unknown illuminator

A work made of red chalk over traces of black chalk, on oval-shaped ivory laid paper, laid down on blue laid paper.

Moses, n.d.

Circle of Bernardino Gatti

A work made of manuscript cutting in tempera and colored inks, with latin inscriptions in brownish black and red inks, ruled in red, on vellum.

Decorated Initial "P" with Flowers from a Manuscript, n.d.

A work made of pen and brown ink with brush and gray wash, over black chalk, with later additions of brown wash in lower right, on ivory laid paper, edge mounted to cream laid paper, hinged on ivory wove card.

Cavalry Skirmish (recto); Kneeling Ecorché (verso), 1530/39

Francesco Salviati

A work made of graphite with brush and gray wash, on tan laid paper, laid down on board.

Sailing Ships in Harbor near Windmill, n.d.

Willem van de Velde, II

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