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A work made of gilt bronze, ebony, and metal.

Automaton Clock in the Shape of a Lion, c. 1630

A work made of oak, metal, enamel, glass, and copper alloy (probably brass).

Clock, c. 1895

Charles Francis Annesley Voysey

A work made of gilt bronze and enamel.

Clock, c. 1775

Merra

A work made of leather, tooled and gilded; silk, velvet, and metal mounts.

Box, 1600/50

A work made of slate, enamel, and gilding.

Mantel Clock, 1875/80

A work made of walnut, ebony, gilt brass, enamel, red-stained tortoiseshell, pewter, brass, glass, steel, and various metals.

Table Clock, c. 1675

André Charles Boulle

A work made of walnut with inlaid wood (intarsia).

Chest of Drawers, 1949

Enrico Bernardi

A work made of copper and brass.

Hanging Oil Lantern, 1899/1901

William Arthur Smith Benson

A work made of copper and brass.

Lamp, c. 1900

William Arthur Smith Benson

A work made of lacquered wood, gilt metal, ivory, and silk.

Work Box, Early to mid 19th century

A work made of hanging scroll; ink on silk.

Landscape in Ming Style, 1865

Bunrin Shiogawa

A work made of internal dye diffusion transfer print.

Untitled (Pink Flowers), May 27, 1983

André Kertész

A work made of chromogenic print.

Arles, France, 1980

Roger Mertin

A work made of japanese cypress, colors, lacquer.

Waka Onna (Young Woman) Noh mask, 2013

Bidou Yamaguchi

A work made of cyanotype and van dyke print.

Peacock, 1975

Bea Nettles

A work made of internal dye diffusion transfer print.

Untitled (Orange Flowers), January 12, 1983

André Kertész

A work made of inkjet print.

Flowers, Lab 212S (Rose I), 1976

Sonia Landy Sheridan

A work made of electrophotographic (3m color-in-color) print, from the portfolio "photographs from the school of the art institute of chicago" (1975).

Sonia in Time, c. 1975

Sonia Landy Sheridan

Elongated cabriole legs of carved mahogany support a cabinet veneered with mahogany and outlined by ebony mouldings. On the front panel of the cabinet the veneer is quartered and the mouldings bordered by carved rococo C-scrolls. A skirt of intricately carved scrolls, floral garlands and single blossoms frames the cabinet on three sides. This relief work and the galleried superstructure are painted, it appears, to simulate ivory.

Cabinet on Stand, c. 1760

William Vile

A work made of silver gilt, beveled glass surrounded by seimprecious red, green, blue stones and clear paste.

Monstrance, 1762

Joseph Moser

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