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A work made of pen and brown ink with brush and brown wash, heightened with lead white (partly discolored), on tan laid paper, squared in black chalk, laid down on ivory laid paper.

Queen Intervening to Spare the Life of a Bishop Saint, c. 1634

Lazzaro Tavarone

A work made of red chalk on tan laid paper.

Sacrifice of Cain and Abel, with God the Father Above, 1554/55

Giorgio Vasari

A work made of pen and black ink, with brush and brown wash, on tan laid paper.

Allegory of Victory with Two Captives, n.d.

Follower of Giorgio Vasari

A work made of pen and brown ink with brush and brown wash, over red chalk, on ivory laid paper, laid down on cream wove paper.

Pope Granting Saint Anthony of Padua a Bull of Indulgence, n.d.

A work made of pen and black ink with brush and gray wash, with traces of red chalk, on tan laid paper, squared in black chalk, laid down on ivory wove card.

Study for Allegory of Faith and Silence, 1500/95

Bartolomeo Cesi

A work made of black chalk on ivory laid paper.

Forest Scene with Waterfall and Two Figures, n.d.

Johann Samuel Bach

A work made of pen and brown ink with brush and brown wash over red chalk on ivory laid paper.

Herdsmen with Cattle and Sheep, n.d.

Follower of Claes Pietersz. Berchem

A work made of pen and brown ink with brush and brown wash, heightened with lead white, on lunette-shaped brown laid paper, squared in black chalk, laid down on card.

Study for the Vision of Saint Francis of Assisi Taken to Heaven in a Fiery Chariot, 1600/02

Jacopo Ligozzi

A work made of black chalk with traces of charcoal on ivory laid paper.

Figures in a Rocky Landscape with Waterfall, n.d.

Johann Samuel Bach

A work made of black chalk (recto) and black chalk and pen and brown ink (verso) on cream laid paper.

Sketches of Soldier, Heads, from Roman Relief (recto); Sketches of Male Nudes, from Roman Relief (verso), 1600-1699

Unknown artist

A work made of pen and brown ink, heightened with lead white, on blue laid paper, edge mounted to cream laid paper with ornamental border in brush and gold paint.

Design for a Façade Decoration, c. 1548

Circle of Girolamo Genga

A work made of pen and brown ink with brush and brown wash, on buff laid paper, with incising, laid down on ivory laid paper.

Design for a Platter or Basin, n.d.

A work made of pen and brown ink on buff laid paper.

Standing Male Nude (Saint Jerome?) with Book, 1550/59

Luca Cambiaso

A work made of pen and brown ink, with brush and brown wash, over traces of black chalk, on buff laid paper, laid down on ivory laid paper.

Female Saint before a Ruler, after 1563

Circle of Federico Zuccaro

A work made of pen and brown ink with brush and brown wash, heightened with lead white (oxidized), over black chalk, with gray overpaint, (added by a later hand) on head and right hand of tobias, on cream laid paper, laid down on gray laid paper.

Tobias and the Angel Raphael, c. 1605

Jacopo Ligozzi

A work made of red chalk on cream laid paper.

Communion of the Apostles, n.d.

Johann Martin Schuster

A work made of pen and black and gray ink and brush and gray wash on ivory laid paper, laid down on ivory wove paper.

Study for an Altar Containing a Painting of the Adoration of the Shepherds, 1767

Carl Joseph Haringer

A work made of black chalk and brush and gray wash, with pen and brown ink, on ivory wove paper, tipped on cream laid card.

Outside of Haarlem, 1833

Jan Pieter Waterloo

A work made of graphite on cream laid paper.

Sketch of Family Group with Three Seated Women and Young Man Standing, 18th century

Johann Friedrich August Tischbein

A work made of pen and brown ink on ivory laid paper, mounted to buff card.

Landscape with River, Distant Hills, and Figures Fishing in Foreground, n.d.

Franz Kobell

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