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A work made of .1: leather (suede); drawing in ink; joined to suede-covered stone and wool felt with cotton in needle lace stitches; appliquéd with suede with cotton in buttonhole stitches .2 and .3: leather (suede); stone attached and oversewn with cotton in buttonhole simple looping stitches .4: stone covered with leather (suede) and embroidered with cotton in buttonhole and simple looping stitches.

Four Study Samples, 1973-76

Claire Zeisler

A work made of .1: stone and coins; oversewn with cotton in simple looping stitches .2 and .3: stone; oversewn with cotton in buttonhole and simple looping stitches .4: stone; painted; oversewn with cotton in buttonhole and simple looping stitches; glass beads .5: stone; wrapped with wool and synthetic felt; over sewn with cotton in buttonhole and simple looping stitches.

Five Study Samples, 1950-91

Claire Zeisler

A work made of .1 and .8: cotton wound ball, oversewn with cotton in needle lace stitches .2: cotton wound ball and leather (suede) covered stone, joined and oversewn with cotton in needle lace stitches .3, .4, .5 and .6: leather (suede) covered stone, edged with cotton in needle lace stitches .7: cotton wound ball and leather (suede) strip joined and over sewn in needle lace stitches.

Eight Study Samples, 1970-76

Claire Zeisler

A work made of stone covered with wool and rayon felt; oversewn with cotton in needle lace stitches.

Study Sample, 1970-76

Claire Zeisler

Untitled (Studies)

Untitled (Studies), 1970-76

Claire Zeisler

Porcelain plate with a polychrome enamel depiction of coat of arms in the center, decorated with a blue and gold band.

Soup Plate, c. 1780

Porcelain plate with polychrome enamel decorations of foods and flowers, hunting and fishing scenes, embraced by Saldanha de Albuquerque arms and swag.

Plate, 1760/70

Porcelain plate with polychrome enamel decorations of foods and flowers, hunting and fishing scenes, embraced by Saldanha de Albuquerque arms and swag.

Plate, 1760/70

Porcelain plate with polychrome enamel decorations of foods and flowers, hunting and fishing scenes, embraced by Saldanha de Albuquerque arms and swag.

Plate, 1760/70

Porcelain dish with polychrome enamel decorations of foods and flowers, hunting and fishing scenes, embraced by Saldanha de Albuquerque arms and swag.

Dish, 1760/70

Porcelain soup bowl with polychrome enamel decorations of foods and flowers, hunting and fishing scenes, embraced by Saldanha de Albuquerque arms and swag.

Soup Bowl, c. 1765

Porcelain dome cover for a dish with polychrome enamel decorations of foods and flowers, hunting and fishing scenes, embraced by Saldanha de Albuquerque arms and swag.

Cover, c. 1765, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–95)

Broken porcelain dish with polychrome enamel decorations of foods and flowers, hunting and fishing scenes, embraced by Saldanha de Albuquerque arms and swag.

Dish, c. 1765

Porcelain covered dish with polychrome enamel decorations of foods and flowers, hunting and fishing scenes, embraced by Saldanha de Albuquerque arms and swag.

Covered Dish, c. 1765, Qing dynasty (1644–1911), Qianlong reign mark and period (1736–95)

A work made of hard-paste porcelain with polychrome enamels and gilding.

Plate, c. 1780

A work made of tempera on paper mounted to canvas on plywood.

Mine Disaster, 1948

Ben Shahn

A work made of carbon fiber, wool, and epoxy.

Twill Weave Daybed, 2016

Jonathan Olivares

A work made of molded ash plywood.

Screen, 1946/48

Charles Eames

Large mound of rocks intersected radially by long rectangular mirrors.

Chalk-Mirror Displacement, 1969

Robert Smithson

A work made of silkscreen ink on primed linen, twelve joined canvases.

Twelve Jackies, 1964

Andy Warhol

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