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A work made of watercolor with scraping on ivory wove paper.

Landscape, n.d.

George Inness

A work made of watercolor heightened with touches of white gouache on cream wove card.

Street Scene in Northern France, c. 1840

Ambrose Poynter

A work made of graphite, on ivory wove paper.

The Artist's Father Reading, c. 1883

Mary Cassatt

A work made of pen and brown ink, with brush and gray and brown wash and white gouache, over graphite, on gray wove paper.

Street in Bologna, 1845

John Ruskin

A work made of watercolor with charcoal and graphite on ivory wove paper.

Stage Design: Five Draped Figures at the Top of a Grand, n.d.

Walter Shirlaw

A work made of watercolor on paper.

The Artist's Farm and Vineyard, n.d.

Ernst Damitz

A work made of pen and brown ink, with brush and brown wash and white gouache, over graphite, on gray wove paper, laid down on ivory wove paper.

Bridge at Croyland, c. 1860–69

John Ruskin

A work made of graphite (recto and verso) on buff wove paper.

Fortresses in Tyrol, near Mals (recto); Castle in Lenzburg (verso), 1839/1900

John Ruskin

A work made of watercolor over graphite on cream wove paper, laid down on cream wove paper.

Mont Saleve, c. 1840

John Ruskin

A work made of watercolor on ivory wove paper.

Beverly N.J., 1880/89

Thomas Moran

A work made of pen and brown ink with brush and watercolor, heightened with white gouache, and squared in graphite, on cream laid paper, laid down on cream laid card.

The Raising of Lazarus, 1780

Benjamin West

A work made of pen and black ink, on off-white wove card.

Initial Letters - Essentials at Fort Adobe - Letter T, 1881/1909

Frederic Remington

A work made of black chalk heightened with traces of white chalk, on gray laid paper, perimeter mounted to cream wove card.

Portrait of a Man Standing in Front of Window, n.d.

Benjamin West

A work made of watercolor with graphite on tan wove card.

Self-Portrait, n.d.

Joseph Mallord William Turner

A work made of pen and brown ink, on gray laid paper, perimeter mounted to cream wove card.

Two Sketches of a Weeping Woman, n.d.

Benjamin West

A work made of pen and brown ink with watercolor over graphite (recto) and graphite (verso) on off-white wove paper.

Dirt Road Landscape (recto); Landscape (verso), n.d.

James "Drunken" Robertson

A work made of oiled charcoal, on ivory wove paper, laid down on board.

The Royal Palace, Madrid, c. 1903

Joseph Pennell

A work made of pen and red and black ink, with brush and watercolor, over traces of graphite, on ivory wove paper tipped onto cream wove paper.

Stealing the Preserves, 1815/20

Thomas Rowlandson

A work made of oiled charcoal, on ivory laid paper, laid down on board.

Approach to Segovia, c. 1903

Joseph Pennell

A work made of oiled charcoal, heightened with white pastel, on ivory wove paper, laid down on board.

Side Chapels, the Cathedral, Toledo, c. 1903

Joseph Pennell

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