Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of acrylic paint.

Wall Drawing #821A: A white square divided horizontally and vertically into four equal parts, each with a different direction of alternating flat and glossy bands, 2007

Sol LeWitt

A work made of gelatin silver print.

The Brown Sisters. Truro, Massachusetts, 1984

Nicholas Nixon

A work made of eight-fold screen; ink and color on paper.

Otsu-e paintings, c.1850

A work made of gelatin silver print.

The Brown Sisters, Ipswich, Massachusetts, 1982

Nicholas Nixon

A work made of gelatin silver print.

The Brown Sisters, Cincinnati, Ohio, 1981

Nicholas Nixon

A work made of gelatin silver print.

The Brown Sisters, East Greenwich, Rhode Island, 1980

Nicholas Nixon

A work made of gelatin silver print.

The Brown Sisters, Marblehead, Massachusetts, 1979

Nicholas Nixon

A work made of gelatin silver print.

The Brown Sisters, Harwich Port, Massachusetts, 1978

Nicholas Nixon

A work made of gelatin silver print.

The Brown Sisters, Cambridge, Massachusetts, 1977

Nicholas Nixon

A work made of gelatin silver print.

The Brown Sisters, Hartford, Connecticut, 1976

Nicholas Nixon

A work made of gelatin silver print.

The Brown Sisters, New Canaan, Connecticut, 1975

Nicholas Nixon

A work made of ash wood, sweet grass, and commercial dye.

Supeq II, 2023

Theresa Secord

A work made of cotton, plain weave, quilted (sashiko); painted.

Fireman's Coat (Hikeshi Sashiko Banten), Meiji period (1868–1912), c. 1875-1900

A work made of hide, glass beads, porcupine quills, horsehair, and dye.

Pipe Bag, 1874–89

Arapaho

A work made of mountain lion skin, glass beads, cloth, leather, wood, pigment, sinew, feathers, and steel.

Quiver, c. 1876–1889

Comanche Nation

A work made of oil on canvas.

Barks Fleeing Before the Storm, 1870/75

Jules Dupré

A work made of oil on canvas.

The Cottage by the Roadside, Stormy Sky, c. 1860

Jules Dupré

A work made of oil on canvas.

Two Boats in a Storm, 1870/75

Jules Dupré

A work made of oil on canvas.

The Estuary Farm, 1830/35

Jules Dupré

A work made of full sienna, pink, and beige goatskin with cotton cord, grey-card onlays with trial stamps of a typographic plate made for duchamp's box in a valise. endpapers printed in pochoir with fern-leaf pattern and hand-drawn insects in black ink.

Rrose Sélavy, Published 1939; rebound 1940-1941

Mary Reynolds

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