Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of wood-block print, printed in black ink with traces of residual brown ink, with selective wiping, over solvent-thinned and transferred and stenciled yellow, orange, red, blue, and green oil-based media, some containing beeswax and conifer resin (probably pine resin), with touches of brush and black ink, on medium-weight, smooth, pink wove paper (faded to tan).

L’univers est créé (The Universe Is Being Created), from the Noa Noa Suite, 1893–94

Paul Gauguin

A work made of oil on canvas.

Strange Worlds, 1928

Todros Geller

A work made of wood-block print in black ink with touches of solvent-thinned blue, red, and orange watercolors (recto); wood-block print, printed twice in brown and brown-black ink (a maculature impression) (verso), on cream japanese paper.

Mahana atua (Day of the God), 1894/95

Paul Gauguin

A work made of red chalk with touches of blue chalk, over monotype in brown, on tan laid paper.

The Fallen Angels, c. 1895

James Ensor

A work made of monotype in brown ink with colored pencil and pen and black ink on cream laid paper.

Temptation of Saint Anthony, 1925

James Ensor

A work made of tempera and silver leaf on canvas.

Portrait of Emily Crane Chadbourne, 1922

Tsugouharu Foujita

In vivid shades of red, orange, yellow, blue, and green, a grouping of row houses sits before an open expanse of land and winding, leafless trees. Everything is multicolored and outlined in thick strokes of deep blue. A figure bends down near a path.

Houses at Chatou, c. 1905

Maurice de Vlaminck

Multicolored painting of undulating geometric shapes interweaving and overlapping one another.

Edtaonisl (Ecclesiastic), 1913

Francis Picabia

Still life of geranium plant, fruit, water pitcher, and two cats.

Still Life with Geranium, 1906

Henri Matisse

A work made of pen and black ink on ivory wove paper.

Bridge, 1954

Saul Steinberg

A work made of bronze.

Study for "Victory", Modeled 1903; cast 1906

Evelyn Beatrice Longman

Painting of two views in brown tones: at left, the back of a woman's head, her intricately braided hair forming a V shape; at right, the torso of a woman wearing a pleated dress with a V-shape neckline.

Parallel Manipulation, 1977

Christina Ramberg

A young woman peers out to the right from from a Dutch door whose bottom half is closed. She wears a brown dress with a corset and a red beaded necklace.

Young Woman at an Open Half-Door, 1645

Workshop of Rembrandt van Rijn

A work made of oil on canvas.

Waterloo Bridge, Gray Weather, 1900

Claude Monet

Painting of a cabin set below a dark blue sky and fluffy white clouds. Behind it is a field of many small white dots. In front, a dark-skinned woman sits and a dark-skinned child plays among roaming chickens and dogs in a fenced-in yard.

Cabin in the Cotton, c. 1931–37

Horace Pippin

A vividly colored self-portrait in oil paint by the artist Beauford Delaney. Delaney depicts himself using bold, thick strokes of paint. His skin tone is polychromatic and contrasted by a mustard yellow background. He wears a blue shirt with accents of red and bright red hat.

Self-Portrait, 1944

Beauford Delaney

A work made of steel.

Gauntlet for the Right Hand, c. 1570/90

A work made of iron and gilding.

Mace, 1550

A work made of steel, fruitwood, staghorn, and cord.

Sporting or Target Crossbow for a Youth, late 16th century/early 17th century

A work made of iron, silver, fruitwood, staghorn, and mother-of-pearl.

Wheellock Rifle, first half of 17th century

<<<26272829 >>>