Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching on ivory wove paper.

Models V, 1961/62

James McGarrell

A work made of etching on ivory wove paper.

Models IV, 1961/62

James McGarrell

A work made of etching on ivory wove paper.

Models III, 1961/62

James McGarrell

A work made of etching on ivory wove paper.

Models VI, 1961/62

James McGarrell

A work made of color engraving, etching, gouging, aquatint, soft ground, lift ground, electric stippler, grease ground, scraping and burnishing on ivory wove paper.

Wedding of Blood, 1951

Mauricio Lasansky

A work made of woodcut printed from one block (sawn into three sections) in dark blue, green, black and red-brown ink with additions in green crayon on cream japanese paper.

Two Women on the Shore, 1898

Edvard Munch

A work made of lithograph in grayish-brown ink on ivory china paper.

Jealousy, 1896

Edvard Munch

A work made of lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper.

Tingletangle, 1895

Edvard Munch

A work made of woodcut on paper.

The Smell of Death, 1915

Edvard Munch

A work made of lithograph on paper.

Woman (The Sphinx), 1899

Edvard Munch

A work made of etching on paper.

The House, 1902

Edvard Munch

A work made of woodcut printed from two blocks in pink, orange, red, yellow, yellowish-green, blue, green, and brown ink on heavyweight cream wove paper.

Sunbathing I, 1915

Edvard Munch

A work made of etching on paper.

Galloping Horse, 1915

Edvard Munch

A work made of drypoint on white wove paper.

Lighthouse, n.d.

Bernard Buffet

A work made of etching, drypoint, and aquatint on paper.

The Garden at Night, 1902

Edvard Munch

A work made of etching on paper.

The Garden, 1902

Edvard Munch

A work made of lithograph on cream wove paper.

Carl O. Schniewind, 1937

Fritz Pauli

A work made of lithograph, with scraping on stone, on cream japanese paper.

Carl O. Schniewind, 1937

Fritz Pauli

A work made of drypoint and etching on cream japanese paper.

Man Seated, 1925

Fritz Pauli

A work made of color lithograph on white wove paper.

Abstract Composition, n.d.

Serge Poliakoff

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