Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of color lithograph on gray wove paper.

Sound of Silence, 1978

Charles White

A work made of lithograph in brown on cream wove paper.

Wanted Poster Series #15 or Hasty B, 1970

Charles White

A work made of color lithograph on white wove paper.

Wanted Poster Series #14, 1970

Charles White

A work made of graphite on tan wove paper.

Sound of Silence, 1978

Charles White

A work made of color lithograph on white wove paper.

Sound of Silence, 1978

Charles White

A work made of lithograph in brown on buff wove paper.

Wanted Poster Series #11 (positive image), 1970

Charles White

A work made of lithograph in yellow and brown on white wove paper.

Wanted Poster Series #14a, 1970

Charles White

A work made of lithograph in warm black on gray wove paper.

Sound of Silence, 1978

Charles White

A work made of color lithograph on white wove paper.

Wanted Poster Series #12a, 1970

Charles White

A work made of lithograph in brown on white wove paper.

Wanted Poster Series #12, 1970

Charles White

Light seems to emanate from a dark-skinned figure (most likely a woman) holding a dark-skinned in their arms. The figure points their face up, eyes closed, a cover over their head and shoulders.

I Have a Dream, 1976

Charles White

A work made of color lithograph on white wove paper.

Prophet I, 1975

Charles White

Cabeza (or Youth)

Cabeza (or Youth), 1946

Charles White

A work made of lithograph in black on greenish ivory wove paper.

Gideon, 1951

Charles White

A work made of lithograph in black on gray wove paper.

Sound of Silence, 1978

Charles White

A work made of lithograph in black on tan wove paper.

Harvest, 1964

Charles White

A work made of oil on canvas.

Heart of the Matter, 1963

Otis Kaye

A plucked chicken, a few stray feathers remaining, hangs upside-down by one foot, illuminated. Behind it the metal hinges and wood panels of a door are visible.

For Sunday's Dinner, 1888

William Michael Harnett

Portrait of an older woman holding a mirror and makeup pad, sitting in a dark dressing room in a pink slip and a blue and red skirt. Her flesh is mottled and pasty white, its contours in dark shadows that make it appear almost bruised. She gazes to the left forlornly.

Into the World There Came a Soul Called Ida, 1929–30

Ivan Albright

A work made of gouache on ivory watercolor paper.

Oh God, Herrings, Buoys, the Glittering Sea, 1940

Ivan Albright

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