Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head. At left is a painted screen with four pairs of feet visible underneath.

Yellow Dancers (In the Wings), 1874–76

Hilaire Germain Edgar Degas

Painting of mother in blue, purple, and green-stripped dress washing child's feet.

The Child's Bath, 1893

Mary Cassatt

Painting composed of short, dense brushstrokes depicts two domed stacks of wheat that cast long shadows on a field. The angled light indicates either a rising or setting sun.

Stacks of Wheat (End of Summer), 1890–91

Claude Monet

Impressionist painting of two girls on balcony, bright flower hat, knitting basket.

Two Sisters (On the Terrace), 1881

Pierre-Auguste Renoir

Three figures dark-skinned, elongated figures lie on a bed of patterned quilts, viewed from above, slightly abstracted. The central figure wears no clothing, their back and buttocks visible. A leg juts in at bottom right. To the right of the bed on a wooden floor lie newspapers and a white baby doll.

The Room No. VI, 1948

Eldzier Cortor

Wooden chair with numerous spindles arranged close together to make a cube.

Spindle Cube Chair, 1902–6

Frank Lloyd Wright

Large abstract painting with red, blue, white, black shapes.

Ready-to-Wear, 1955

Stuart Davis

A work made of oil on canvas.

The Irish Question, 1880s

De Scott Evans

Portrait of a light-skinned woman with dark curly hair and to her right a small, blond child. Both are elegantly dressed, the woman in a dark, short-sleeved dress with gathered bodice and the child in a short-sleeved white dress. A white tassel hangs down above the child from a nearby curtain.

Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan, c. 1805

Joshua Johnson

Black bronze statue of African American man, shackles broken, sitting on tree stump.

The Freedman, Modeled 1862–63

John Quincy Adams Ward

A work made of ebonized walnut with gilt decoration and upholstery.

Armchair, c. 1869; patented in 1869

George Jakob Hunzinger

A work made of hard-paste porcelain, glaze, enamels in colors, gilding.

Punch Bowl, c. 1789

Chinese export porcelain

Painting of a vast autumn scene with two very small figures in Indigenous clothing standing on a cliff overlooking a massive waterfall in the distance.

Distant View of Niagara Falls, 1830

Thomas Cole

Painting of two fishermen in small wooden boat on rocky seas.

The Herring Net, 1885

Winslow Homer

White marble bust of a woman with shoulder-length wavy hair wearing a crown and robes.

Zenobia, Queen of Palmyra, modeled c. 1859; carved after 1859

Harriet Hosmer

A work made of oil and silver paper on canvas.

Broken and Restored Multiplication, 1918–19

Suzanne Duchamp

A abstract painting in which numerous planes of brown and gray, along with highlights of black and white, compose the figure of a man. The most recognizable features are a pair of clasped hands and the wave of his dark hair.

Daniel-Henry Kahnweiler, autumn 1910

Pablo Picasso

A work made of oil on canvas.

Reminiscence of a Cathedral, 1920/23

František Kupka

A minimalist, elongated sculpture made of reflective and shiny bronze. The sculpture is long and slightly curved, suggesting the shape of a bird, and sits atop a stone base that is balanced on top of a geometric wooden base.

Golden Bird, 1919/20 (base c. 1922)

Constantin Brancusi

Painting of four nude women composed of geometric shapes, against patterned background.

Bathers by a River, 1909–10, 1913, and 1916–17

Henri Matisse

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