Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of pen and brown ink over traces of graphite, on ivory wove paper.

The Hermit; illustration for Oscar Wilde's 'The Teacher of Wisdom', c. 1890–1924

Charles Ricketts

A work made of graphite on cream wove card.

Colonel Impitt, n.d.

Samuel Cousins

A work made of pen and gray ink with brush and watercolor over graphite on cream wove paper, laid down on board.

The Lady and the Queen Wasp, 1780/90

Francis Wheatley

A work made of watercolor on cream wove paper.

Village Fair: Harlequin and Quack, 1800

Thomas Rowlandson

A work made of watercolor over graphite, on ivory laid paper laid down on board.

Stage Set, n.d.

James Pryde

A work made of pen and brown ink with brush and brown wash and watercolor, over traces of graphite, on cream wove paper, laid down on ivory wove paper.

Landscape with Wayside Cross and Cottages, n.d.

Thomas Rowlandson

A work made of pen and brown ink over traces of graphite, on ivory wove paper.

Narcissus by the Pool; illustration for Oscar Wilde's 'The Disciple', c. 1890–1924

Charles Ricketts

A work made of watercolor and white gouache over graphite, on ivory wove paper.

Use of the Globe (Sketch), 1889/1941

James Pryde

A work made of transfer drawing in brown and black ink on cream japanese paper.

Angel, Peacock, and Three Tahitians, c. 1902

Paul Gauguin

A work made of watercolor on gouache, on japanese paper.

Scene on a Lake in the Morning, 1906

Charles Conder

A work made of pen and black ink, with brush and black wash, over graphite, on tan wove paper.

Study for How a Devil in Woman's Likeness Would Have Tempted Sir Bors, 1893

Aubrey Vincent Beardsley

A work made of gouache and oil on paper.

Street in Seville, 1905

Charles Conder

A work made of red and black chalk, heightened with white pastel and white pastel mixed with red chalk, on cream wove japanese paper.

Half-Length Portrait of Alice Helleu, the Artist's Wife, c. 1895

Paul-César Helleu

A work made of blue crayon, over graphite, on cream wove paper (discolored to tan), laid down on brown card.

Woman Entreating a Man, n.d.

Adolphe Léon Willette

A work made of pen and black ink, with brush and black wash, over traces of graphite, on ivory wove paper.

Decorative Study: Woman with Sunflowers, 1892/98

Aubrey Vincent Beardsley

A work made of pen and brown ink, with brush and brown wash, over traces of graphite, on cream wove paper.

Arno above Florence, September 3, 1900

David Young Cameron

A work made of pen and black ink, with brush and black wash, over traces of graphite, on ivory wove paper.

Decorative Study: Satyr, 1892/98

Aubrey Vincent Beardsley

A work made of pen and black ink, with brush and black wash, over traces of graphite, on ivory wove paper.

Decorative Study: Two Angels, 1892/98

Aubrey Vincent Beardsley

A work made of black conté crayon, with red conté crayon and brown wax crayon, heightened with touches of white chalk, on cream wove paper, tipped on blue laid paper, laid down on cream board.

Mademoiselle Ellen Helleu (The Artist's Daughter), c. 1895

Paul-César Helleu

A work made of charcoal, with stumping, heightened with white chalk, on pinkish-gray laid paper with blue fibers.

Shepherd and his Flock, n.d.

Charles Émile Jacque

<<<257258259260 >>>