Curator

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La Rue de la Boucherie, Limoges

La Rue de la Boucherie, Limoges, n.d.

Herman Armour Webster

A work made of pen and brown ink and brush and brown wash on off-white wove paper.

Shepheard's, London, n.d.

Randolph Schwabe

A work made of pen and brown ink and brush and gray wash, over graphite, on white wove paper.

Ponte della Grazia, Florence, n.d.

Herman Armour Webster

A work made of pen and brown ink and brush and gray wash, with scraping and graphite, on white wove paper.

Ponte Santa Trinita, No.4, n.d.

Herman Armour Webster

A work made of pen and brown ink and brush and gray wash, over graphite, on white wove paper.

Ponte alla Carraia, Florence, n.d.

Herman Armour Webster

A work made of pen and brown ink and brush and gray wash, over graphite, on white wove paper.

Canal, Venice, n.d.

Herman Armour Webster

A work made of pen and brown ink and brush and gray wash, with graphite, on cream wove paper.

Venice, n.d.

Herman Armour Webster

A work made of watercolor and charcoal on cream wove paper.

In as Much as Ye Have Done It, n.d.

Louis Raemaekers

A work made of charcoal, with stumping, scraping and erasing, on ivory wove paper.

First Aid Post, Ruins of the Chateau d'Esnes, Meuse, c. 1916

Herman Armour Webster

A work made of graphite (recto and verso) on buff wove paper with red fibers.

Standing Male Nude, Arms Raised (recto); Standing Female Nude (verso), n.d.

Abram Poole

A work made of graphite on buff wove paper (recto and verso) with red fibers.

Standing Male Nude (recto); Standing Female Nude, Seen from Behind, with Three Sketches, n.d.

Abram Poole

A work made of charcoal, with touches of stumping (recto), and charcoal (verso), on cream wove paper.

Canal at Quimper (recto); Boats at Entrance to Canal (verso), n.d.

Herman Armour Webster

A work made of pen and brown ink, with brush and brown and gray wash, over graphite, on white wove paper.

The Valentre Bridge, Cahors, n.d.

Herman Armour Webster

A work made of charcoal, with orange, gray and blue pastel, on ivory wove paper.

Aubreville Mews, c. 1916

Herman Armour Webster

A work made of brush and brown ink, over traces of graphite on cream wove paper, discolored to tan.

Horse, n.d.

Jane Poupelet

A work made of red and black chalk, heightened with white chalk, on gray laid paper.

Three Nudes, 1917

Charles Haslewood Shannon

A work made of brush and brown ink, over traces of graphite on cream wove paper, discolored to tan.

Seated Female Nude, Seen from Behind, n.d.

Jane Poupelet

A work made of charcoal, with touches of brush and black wash on cream wove paper, discolored to tan.

Sleeping Cat, n.d.

Jane Poupelet

A work made of charcoal, with stumping and erasing, on cream wove paper.

The Parting, n.d.

Frank Walter Taylor

A work made of charcoal, with stumping and erasing, on grayish-cream wove paper.

Two Women Seated, n.d.

Frank Walter Taylor

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