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Seated Male Nude from the Back (recto); Sleeping Male Nude (verso)

Seated Male Nude from the Back (recto); Sleeping Male Nude (verso), n.d.

Onorio Marinari

A work made of black chalk, heightened with white chalk, on tan laid paper, laid down on brownish-gray laid paper.

Study for Mercury, 1613/14

Giacomo Cavedone

A work made of pen and brown ink, with brush and brown wash, heightened with lead white, over traces of black chalk, on tan laid paper, laid down on ivory wove paper.

Fragment of a Composition with People Gesturing and Horses in the Background, n.d.

Perino del Vaga

A work made of brush and brown ink and wash, heightened with white gouache (recto), and black chalk, with traces of white chalk (verso), on blue laid paper.

Magician Making a Prediction to an Emperor (recto); Male Nude Carrying a Load (verso), 17th century

Unknown Italian

A work made of pen and brown ink, with brush and brown wash, heightened with white gouache, on blue laid paper edge mounted to ivory laid paper, laid down on blue laid paper.

Sabines Crossing the River Tiber to Attend the Roman Games, n.d.

Polidoro da Caravaggio

A work made of red chalk (recto and verso) on ivory laid paper.

Fire in the Borgo (recto); Slight Sketch of the Fire in the Borgo (verso), 1726/1750

Ottaviano Dandini

A work made of brush and brown ink and wash, heightened with white gouache, over traces of black chalk, on brown laid paper.

Rest on the Flight into Egypt, n.d.

Sigismondo Caula

A work made of pen and brown ink, with brush and brown wash, over traces of black chalk, on ivory laid paper, tipped onto cream laid paper.

Venus Pointing out Psyche to Cupid, n.d.

Workshop of Raphael

A work made of black and white chalk, on blue laid paper.

Head from Laocoon Group, n.d.

Anton Domenico Gabbiani

A work made of black chalk, with pen and brown ink and brush and brown wash, on blue gray prepared laid paper, laid down on ivory laid paper.

Nativity, n.d.

Matteo Rosselli

A work made of pen and brown ink, with brush and brown wash, heightened with white gouache, over black chalk.

Presentation in the Temple, c. 1710

Pietro Antonio di Pietri

A work made of charcoal, with stumping, touches of oil paint, and traces of lead white (discolored), on tan laid paper.

Half-Length Recumbent Male Nude Seen from the Back, c. 1590

Pietro Faccini

A work made of gouache and brush and brown wash with touches of lead white (oxidized), on cream laid paper, hinged on to cream mount.

Saint Peter and other Seated Apostles, with Saint John the Evangelist Below, n.d.

Antonio da Correggio

A work made of red chalk, heightened with traces of white chalk, on buff laid paper.

Standing Male Nude, 1637/38

Cecco Bravo

A work made of black chalk, heightened with touches of white chalk and white oil paint, on brown laid paper, laid down on japanese paper, edge mounted to off-white wove paper.

Head of Saint Stephen: Study for the Martyrdom of Saint Stephen, 1627/30

Giacomo Cavedone

A work made of gouache, heightened with touches of gold paint, over black chalk, on ivory laid paper.

Monumental Jewelled Vase, n.d.

Giuseppe Grisoni

A work made of pen and brown ink on cream tracing paper.

The Entombment of Christ, n.d.

Andrea Mantegna

A work made of pen and brown ink, with black chalk and traces of incising, on tan laid paper, laid down on cream wove paper.

Study for 'The Dream of Saint Joseph', 1635/37

Pietro Testa

A work made of watercolor over black chalk, on tan laid paper, tipped onto cream laid paper.

Saint John the Baptist with Lamb, n.d.

Carlo Cignani

A work made of pen and brown ink, heightened with lead white, over red chalk on cream laid paper, laid down on cream laid paper.

Saint Augustine and Two Angels Adoring the Crucifix, 1685/1695

Giuseppe Passeri

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