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A work made of etching on ivory laid paper.

Circe with Companions of Ulysses Changed into Animals, 1650–51

Giovanni Benedetto Castiglione

A work made of etching on cream laid paper.

Diogenes Seeking an Honest Man, 1645–47

Giovanni Benedetto Castiglione

A work made of engraving in black on cream laid paper.

The Senators, from Triumph of Caesar, c. 1495

Andrea Mantegna

A work made of engraving in black on ivory laid paper, discolored to grayish brown.

Battle of the Sea Gods: Right Half of a Frieze, 1470/1500

Andrea Mantegna

A work made of engraving in black on ivory laid paper, discolored to grayish brown.

Battle of Sea-Gods, Left Half of a Frieze, 1470/1500

Andrea Mantegna

A work made of etching on ivory laid paper.

Laban Searching for Family Idols among the Possessions of Joseph, 1630–35

Giovanni Benedetto Castiglione

A work made of engraving in black on tan laid paper.

Saint George, 1506

Benedetto Montagna

A work made of engraving, on paper.

The Flagellation of Christ, with the Landscape Background, 1475/80

Andrea Mantegna

A work made of oil on canvas.

Portrait of Isidoro Maiquez, c. 1807

Francisco José de Goya y Lucientes

A work made of oil on canvas.

Portrait of General José Manuel Romero, c. 1810

Francisco José de Goya y Lucientes

A work made of oil on panel.

The Hanged Monk, c. 1810

Francisco José de Goya y Lucientes

A work made of wood with traces of red pigment.

Architectural Strut with the Dikpala, Vayu, Standing on a Deer, 17th/18th century

A work made of wood with traces of red pigment.

Architectural Strut with the Dikpala, Isana, Standing on a Bull, 17th/18th century

A work made of envelopes, ink drawings, graphite drawings, mixed media collages, mixed media assemblages, photocopies, black and white photographs, color photographs, negatives, posters, postcards, greeting cards, stamps, clippings, scrapbooks, realia and ephemera..

Karl Wirsum Collection of Ray Johnson, 1940-1971 (bulk 1960-1970)

Ray Johnson

A work made of reverse glass painting.

Portrait of a Nobleman Seated on a Terrace Smoking a Huqqa, Late 18/early 19th century

A work made of pen and brush and black ink, over graphite, with daylight fluorescent inks, sprayed through stencils, on white wove paper.

Untitled, 1969

Michel Cardena

A work made of cotton and wool, indigo dyed; embroidered silk or cotton.

Bakhnouq (Woman’s Cover or Veil), Early 20th century

Amazigh

A work made of reverse glass painting.

A Female Courtesan Dancing on a Terrace, Late 18/early 19th century

A work made of wool and cotton: slit tapestry weave; embroidered with wool and cotton in heavy chain, herring bone, interlacing and stem stitches; main warp cut fringe, twined and wrapped; added wrapped cut fringe and leather binding stitched with hemp.

Akhnif (Man's Cape), Mid–19th century

Ait Ouaouzguite Confederation

A work made of silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; edged with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp float-faced 5:1 satin weave with weft-float faced 1:2 'z' twill interlacings of secondary binding warps and supplementary patterning wefts; trimmed with braid of gilt-metal-strip-wrapped linen, 1:1 oblique interlacing; sleeves: silk, warp-float faced 2:1 'z' twill weave; pleated; lined with silk, plain weave (new); metal buttons.

Woman's Jifu (Semiformal Court Robe), Qing dynasty (1644–1911), 1790-1820

Manchu

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