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A work made of tempera on panel, transferred to canvas.

The Nativity, 1500/05

Perugino

A work made of etching and aquatint in black on a silver-toned metallic paper, laid down on cream wove paper.

Poor Self Trait #1: Dog Girl, 1970

Barbara Rossi

A work made of etching and aquatint on cream laid japanese paper.

The Goosegirl, 1899

Paula Modersohn-Becker

A work made of cotton, plain weave double cloth; woven on computerized loom with jacquard attachment; two selvages present.

Woven Structure Pattern (No. 4-10), Shôwa period (1926–1989), 1984

Jun-ichi Arai

A work made of etching, aquatint, and soft ground in dark brown on cream wove paper.

Seated Old Woman, 1899

Paula Modersohn-Becker

White and yellow flowers in a green vase sitting on a decorative surface, a blue background in the upper portion of the painting. The brushwork creates a slight blurring effetct.

Still-Life with a Green Flower Vase, c. 1902

Paula Modersohn-Becker

A work made of 63 mixed media postcards in collage, gouache, graphite, and watercolor.

Gutai Postcards, 1956-2008

Yamazaki Tsuruko

A work made of cotton, linen, silk, wild silk, nettle fiber (ramie), rayon, and wool, plain weave and slit tapestry weave with eccentric wefts.

A Weaving, 2012

James Bassler

Delicately rendered monochrome drawing of a mule skull seen from the front, with a large feather leaning against its right side.

Mule Skull with Turkey Feather, c. 1936

Georgia O'Keeffe

A work made of gelatin silver print.

Georgia O'Keeffe, 1956

Yousuf Karsh

A work made of oil on linen.

Marker Drawing of Trompe-l’Oeil Still Life with a Flower Garland and a Curtain, 2018

Mika Horibuchi

A work made of black pencil.

Wall Drawing #118: 50 randomly placed points connected by straight lines, 1971

Sol LeWitt

A work made of acrylic on canvas.

Untitled, 1993

Emily Kam Kngwarray

A work made of chromogenic print.

Tomlinson and Griffith Corral, from Erased Lynchings Series I, 2006, printed 2007

Ken Gonzales-Day

A work made of chromogenic print.

Tombstone, from Erased Lynchings Series I, 2006, printed 2007

Ken Gonzales-Day

A work made of chromogenic print.

Stain, from Erased Lynchings Series I, 2006, printed 2007

Ken Gonzales-Day

A work made of chromogenic print.

Franklin Avenue, from Erased Lynchings Series I, 2006, printed 2007

Ken Gonzales-Day

A work made of chromogenic print.

This is what he got, from Erased Lynchings Series I, 2006, printed 2007

Ken Gonzales-Day

A work made of gelatin silver print.

The developments of the European economy have required Strasbourg to maintain its transit function, modernize the machines in its warehouses, increase the surface of its roads, and open new docks. These are placed south of the city at the mouth of the Grand Canal d'Alsace. From the top of the large silo, which was built a few years ago, one can see the powerful Central Thermonique N°2, recently built by Electricity of France, 1965-1975

Willy Ronis

A work made of gelatin silver print.

Massacre at Sharpeville: Some of the wounded sit around waiting for the ambulances to arrive, March 21, 1960

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