Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of graphite and brush and colored inks on wove graph paper.

Orlando, from Human_3.0 Reading List, 2016

Cauleen Smith

A work made of graphite and brush and colored inks with touches of opaque watercolor on wove graph paper.

Sexual Difference, from Human_3.0 Reading List, 2015

Cauleen Smith

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1970/80

Mikki Ferrill

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), 1970/80

Mikki Ferrill

A work made of gelatin silver print.

Untitled, 1965/75

Ibrahima Sanlé Sory

A work made of gelatin silver print.

Untitled, 1965/75

Ibrahima Sanlé Sory

A work made of silver dye-bleach print.

Untitled, c.1980

Luis Medina

A work made of silver dye-bleach print.

Untitled, c.1980

Luis Medina

A work made of gelatin silver print.

Untitled, 1965/75, printed 2017

Ibrahima Sanlé Sory

A work made of silver dye-bleach print.

Untitled, c.1980

Luis Medina

A work made of gelatin silver print.

Untitled, 1965-75, printed 2017

Ibrahima Sanlé Sory

A work made of gelatin silver print.

Untitled, 1965/75, printed 2017

Ibrahima Sanlé Sory

A sculpture comprises a featureless face made up of a mottled black and white substance, a short Afro hairstyle in a dark blue-green hue, and a slender dark neck from which a raffia skirt expands down to the top of the pedestal. Behind the sculpture, paneled glass windows look through to other buildings and a hint of green treetops.

Dunham, 2017

Simone Leigh

A work made of gelatin silver print.

Untitled, c. 1965

Ernest Cole

A work made of gelatin silver print.

Untitled (Woman with Radio), c. 1950

Seydou Keïta

A work made of gelatin silver print.

Untitled, c. 1950

Seydou Keïta

A work made of gelatin silver print.

Untitled, 1970s

Stéphane Nuvi-Têvi Degbava

A work made of gelatin silver print.

Untitled Portrait, 1953/57, printed 2019

Seydou Keïta

A work made of acrylic, mixed papers, wood.

oldblueshanging, while she waits, 2017

Suzanne Jackson

A painting in earth tones features numerous stick-figure drawings that evoke cave drawings. The lines of the drawings are rendered in bright pastels, and the figures rise up the canvas on a zig-zagging line. Green and light-gray smokiness proliferates.

Self-Portrait and Autobiography, 1948

Alice Rahon

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