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A work made of color monotype on off-white wove paper.

McGregor's Garden, n.d.

Barbara Uhl

A work made of etching on cream japanese paper.

The Beggar Girl, 1913

Roi Partridge

A work made of etching on cream wove paper.

Le Pont Neuf, 1911

Roi Partridge

A work made of etching on cream wove paper.

Equality and the Beggar Girl, 1914

Roi Partridge

A work made of etching on cream laid paper.

Louvre Lace (Le Louvre No. 4), 1914

Roi Partridge

A work made of gouache, with pen and brown and black ink and traces of magenta ink (faded), over graphite (recto), and graphite (verso) on cream wove paper, tipped onto cream wove paper.

Horseman (recto); Horse and Rider (verso), 1889

Auguste Rodin

A work made of marble.

Torso, 1924

Gaston Lachaise

A work made of oil on canvas.

Still Life (Centrifugal Expansion of Colors), 1916

Gino Severini

A work made of etching on off-white wove paper.

Portrait of Ambroise Vollard, 1924

Pierre Bonnard

A work made of watercolor on thick, rough textured, off-white wove paper.

Sketch of a Mountain, 1910

John Marin

A work made of watercolor with blotting on thick, rough-textured, off-white wove paper.

Austrian Tyrol, 1910

John Marin

A work made of watercolor with rewetting, wiping, and blotting, over touches of graphite, ruled in graphite, on lightweight, slightly textured, ivory wove paper (all edges trimmed).

A Rolling Sky, Paris, After Storm, 1908

John Marin

A work made of watercolor with rewetting and blotting, over graphite, on moderately thick, slightly textured, off-white wove paper (top and left edges trimmed), in original frame.

Ragged Island, Maine, 1914

John Marin

A work made of watercolor with blotting and traces of scraping, and with traces of graphite, on moderately thick, moderately textured, off-white wove paper.

Movement: Fifth Avenue, 1912

John Marin

A work made of watercolor and charcoal with stumping, and with charcoal wash, on thick, slightly textured, ivory wove paper (all edges trimmed), in original frame.

Untitled (Green and White), 1917

John Marin

A work made of watercolor with charcoal and stumping, and charcoal wash, on thick, slightly textured, ivory wove paper (lower and right edges trimmed), in original frame.

Ocean and Rocks, 1917

John Marin

A work made of watercolor with blotting and wiping, and with charcoal, on thick, moderately textured, ivory wove paper (lower and left edges trimmed), in original frame.

Spring Rains, 1918

John Marin

A work made of watercolor with charcoal, on thick, rough textured, ivory wove paper (all edges trimmed).

Other Side, c. 1920

John Marin

A work made of watercolor with blotting and touches of scraping, and with charcoal with erasing, on moderately thick (estimated), moderately textured, ivory wove paper (right and lower edges trimmed), perimeter mounted to wood-pulp board, faced with ivory paper gilt with silver leaf, in original frame.

Headed for Boston, 1923

John Marin

A work made of watercolor with fabricated charcoal on (recto), and watercolor and charcoal wash with rewetting, blotting, and wiping with touches of grphite over charcoal (verso), on thick, rough-textured, off-white wove paper (top and right edges trimmed).

Blue Sea (recto); Sheet of Sketches (verso), 1923

John Marin

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