Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of watercolor with wiping, and fabricated charcoal, over graphite, on thick, slightly textured, off-white wove paper (all edges trimmed), hinged to wood-pulp board, faced with cream paper, gilt with silver leaf, in original frame.

Sea Movement–Green and Blue, 1923

John Marin

A work made of watercolor with blotting, wiping, and touches of scraping, and with black and brown colored pencils, on moderately thick (estimated), moderately textured, ivory wove paper (top, right and lower edges trimmed), hinged to paper prepared with a black wash, with a decorative paperboard collar gilt with silver leaf, laid down on wood-pulp board faced with cream wove paper, in original frame.

Movement No 23–The Sea and Pertaining Thereto, 1927

John Marin

A work made of watercolor with black crayon, on moderately thick, moderately textured, ivory wove paper (all edges trimmed), in original frame.

Valley of the Hondo, New Mexico, 1930

John Marin

A work made of watercolor with wiping, blotting, and scraping, and with black colored pencil, black crayon, and graphite, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed) perimeter mounted to wood-pulp board faced with cream wove paper, in original frame.

West Forty-Second Street from Ferryboat, 1929

John Marin

A work made of watercolor, with black colored pencil and black crayon, on moderately thick (estimated), slightly textured, ivory wove paper (all edges trimmed), laid down on wood-pulp laminate board faced with ivory wove (estimated) paper, prepared with a gray wash, with a decorative paper board collar gilt with silver leaf, in original frame.

Movement No 24–Pertaining to Deer Isle–The Road, 1927

John Marin

A work made of watercolor with black crayon on moderately thick, moderately textured ivory wove paper (all edges trimmed), in original frame.

Mountain Forms, New Mexico, 1930

John Marin

A work made of watercolor with blotting, wiping, and scraping, and black crayon, with brown colored pencil, on heavyweight, moderately textured, ivory wove paper (all edges trimmed), in original frame.

Nudes in Sea, 1940

John Marin

A work made of watercolor and opaque watercolor, with graphite, on cream wove paper.

New York, 1913

Francis Picabia

A work made of watercolor with graphite on ivory wove paper.

Entrance to New York, 1913

Francis Picabia

A work made of pen and black ink and watercolor, with brush and black ink (recto), and pen and black ink (verso), on off-white wove paper.

Raking Hay (recto); Landscape (verso), 1934 (recto); c. 1934 (verso)

Arthur Dove

A work made of pen and black ink and watercolor, on off-white wove paper.

Pig, c. 1937

Arthur Dove

A work made of watercolor over graphite on heavy textured cream wove watercolor paper, laid down on cardboard and varnished.

House of Mystery, 1924

Charles Ephraim Burchfield

A work made of oil on canvas.

Haunted House, 1930

Morris Kantor

A work made of watercolor and graphite on cream wove paper.

Fish Series, No. 6, 1918

Charles Demuth

A work made of watercolor over graphite on ivory laid paper.

Fish Series, No. 7, 1917

Charles Demuth

A work made of watercolor over graphite, on cream laid paper, laid down on ivory board.

On "That" Street, 1932

Charles Demuth

Store and Gear

Store and Gear, 1941

Karl Knaths

Painting of artist drawing on easel, green landscape, stone walls surround him.

The Artist Looks at Nature, 1943

Charles Sheeler

A work made of oil on canvas.

Trinity, 1941

Charles Howard

Autumn in New Hampshire

Autumn in New Hampshire, 1874–75

Alexander Helwig Wyant

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