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A work made of one-half brown nigerian goat skin, marbled paper end leaves; three protruding panels with title in gold tooling on spine; original paper covers bound in.

Êtes-vous fous?, Published 1929; rebound 1930-1950

Mary Reynolds

A work made of quarter binding in vellum, sides and end papers covered with paper printed with a black and white design in pochoir with paper; author and title stamped in gold on spine; original paper covers bound in.

La voix humaine: pièce en un acte, Published 1930; rebound 1930-1950

Mary Reynolds

A work made of quarter vellum with blue-paper sides and endpapers decorated with gold stars.

Thomas l'imposteur: histoire (Thomas the impostor: a story), Published 1923; rebound 1930-1950

Mary Reynolds

A work made of quarter vellum binding with cockerell marbled paper; marbled endpapers; original paper covers bound in; inscription and drawing in graphite on half-title by cocteau.

Les parents terribles: Pièce en trois actes (The Terrible Parents: A play in three acts), Published 1938; rebound 1938-1942

Mary Reynolds

A work made of quarter vellum with gold stamping; paper-map sides and endpapers; original paper covers bound in.

Mon premier voyage: Tour du monde en 80 jours (My first voyage: Around the world in 80 days), Published 1936; rebound 1936-1942

Mary Reynolds

A work made of full vellum binding with star-shaped cutouts on front and back covers with black threads; title on front cover in black ink; author stamped in gold on spine; maroon endpapers; original paper covers bound in.

Maison de santé, Published 1926; rebound 1930-1950

Mary Reynolds

A work made of full vellum binding, wine-colored morocco label with gold lettering on spine; vellum end leaves; original paper covers bound in.

La machine infernale: pièce en 4 actes, Published 1934; rebound 1934-1950

Mary Reynolds

A work made of quarter vellum binding with white paper sides repeatedly stamped with an uppercase m in red and black; plain ivory endpapers; author and title stamped in gold on spine; original paper covers bound in.

La machine à écrire: pièce en trois actes (The Typewriter: A Play in Three Acts), Published 1941; rebound 1941-1942

Mary Reynolds

A work made of one-quarter vellum binding, sides covered with red paper speckled with gold stars; original paper covers bound in.

Le Foyer des artistes, Published 1947; rebound 1947-1950

Mary Reynolds

A work made of one-quarter vellum binding; sides covered with gold-starred paper.

La fin du Potomak, Published 1940; rebound 1940-1950

Mary Reynolds

A work made of full vellum with gold stamping on black-calfskin label; wine-colored, glazed-paper endpapers; inscription and drawing by cocteau.

Dessins (Drawings), Published 1924; rebound 1930-1942

Mary Reynolds

A work made of full vellum binding; green, silver-speckled end leaves.

Carte blanche: articles parus dans Paris-midi du 31 mars au 11 août 1919, Published 1920; rebound 1930-1950

Mary Reynolds

A work made of one-quarter vellum binding, sides covered with white paper speckled with stamped blue stars; author and title stamped in gold on spine; original paper covers bound in.

Antigone: Les mariés de la Tour Eiffel, Published 1928; rebound 1930-1950

Mary Reynolds

A work made of vol. 1: full red morocco binding; "sten" stamped in gold on spine; decorated endpapers; top edge gilt; vol. 2: full vellum binding; "dhal" stamped in gold on spine; decorated endpapers; top edge gilt; paper-covered slipcase with morocco trim; lined with felt.

Le rouge et le blanc (Lucien Leuwen): Roman posthume (1834-1836), Published 1929; rebound 1930-1950

Mary Reynolds

A work made of chêneuarter vellum binding with green paper; morocco spine label with author and title stamped in gold; decorated endpapers; original paper covers bound in.

Le Diable au corps: Roman, Published 1947; rebound 1947-1950

Mary Reynolds

A work made of full tan morocco binding; gray inlays; author and title stamped in gold on spine; decorated endpapers; original paper covers bound in..

Les temps mêlés - Gueule de Pierre, II: Roman, Published 1941; rebound 1941-1950

Mary Reynolds

A work made of full green morocco binding; horizontal onlay across covers and spine; broken china teacup handle attached by onlay to spine; title stamped in gold on front cover; author stamped in gold on back cover; marbled endpapers; original paper covers bound in.

Saint Glinglin: précédé d'une nouvelle version de Gueule de Pierre et des Temps mêlés: Roman (Saint Glinglin: Preceded by a New Version of Stone Mouth and Mingled Time), Published 1949; rebound 1949-1950

Mary Reynolds

A work made of full blue morocco binding; author and title stamped in gold on spine; decorated covers and spine; original paper covers bound in.

Pierrot mon ami: Roman, Published 1942; rebound 1942-1950

Mary Reynolds

A work made of full red morocco binding with raised bands; author and title stamped in gold on spine; endpapers of trial proofs for marcel duchamp's 1935 cover of minotaure; original paper covers bound in.

Loin de Rueil (Skin of Dreams), Published 1944; rebound 1945-1950

Mary Reynolds

A work made of full brown morocco binding with die cut on front cover; title stamped in gold on cover; author stamped in gold on spine; decorated endpapers; doublures; top edge gilt; original paper covers bound in.

Gueule de Pierre, Published 1934; rebound 1934-1950

Mary Reynolds

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