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A work made of full ostrich with gold stamping on black calfskin; gold-speckled lilac endpapers; original paper covers bound in.

Les yeux fertiles (Fertile Eyes), Published 1936; rebound 1940

Mary Reynolds

A work made of full brown leather embossed in a herringbone pattern, with black calfskin-covered, die-cut panels; gold stamping; and inlaid perforated copper sheets; green glassine endpapers and gilt edges; original paper covers bound in.

Gestes et opinions du Docteur Faustroll, pataphysicien (Exploits and Opinions of Doctor Faustroll, Pataphysician), Published 1923; rebound 1930-1950

Mary Reynolds

A work made of heavy boards covered with calf, green outside and black inside; on the front and back are onlays of frogskin; inside boards are reinforced with secondary boards in green with gold lettering, with facing leaves of decorated paper simulating frog skin; the spine is black calf with vertical lines in blind stamping; original paper covers bound in.

La science de Dieu ou La création de l'homme (The Science of God, or The Creation of Man), Published 1900; rebound 1930-1942

Mary Reynolds

A work made of graphite and colored pencil on tracing paper.

Boston Avenue Methodist-Episcopal Church, Front elevation, 1926

Bruce Goff

A work made of graphite on triton bond paper.

Boston Avenue Methodist-Episcopal Church, West elevation, 1926

Bruce Goff

A work made of graphite on triton bond paper.

Boston Avenue Methodist-Episcopal Church, East elevation, 1926

Bruce Goff

A work made of graphite on tracing paper.

Boston Avenue Methodist-Episcopal Church, Third floor plan, 1926

Bruce Goff

A work made of graphite on tracing paper.

Boston Avenue Methodist-Episcopal Church, Second floor plan, 1926

Bruce Goff

A work made of graphite on tracing paper.

Boston Avenue Methodist-Episcopal Church, First floor plan, 1926

Bruce Goff

A work made of graphite on tracing paper.

Boston Avenue Methodist-Episcopal Church, Ground floor plan, 1926

Bruce Goff

A work made of graphite and colored pencil on tracing paper.

Boston Avenue Methodist-Episcopal Church, Altar elevation study, 1926

Bruce Goff

A work made of brown pencil on tracing paper.

Boston Avenue Methodist-Episcopal Church, Auditorium study, 1926

Bruce Goff

A work made of graphite and colored pencil on tracing paper.

Boston Avenue Methodist-Episcopal Church, Detail study of entrance and figural sculpture placement, 1926

Bruce Goff

A work made of graphite on tracing paper.

Boston Avenue Methodist-Episcopal Church, Tower study elevation, 1926

Bruce Goff

A work made of graphite on tracing paper.

Boston Avenue Methodist-Episcopal Church, Tower study elevation, 1926

Bruce Goff

A work made of graphite on paper.

Boston Avenue Methodist-Episcopal Church, Tower study elevation, 1926

Bruce Goff

A work made of graphite on tracing paper.

Boston Avenue Methodist-Episcopal Church, Tower study elevation, 1926

Bruce Goff

A work made of graphite on tracing paper.

Boston Avenue Methodist-Episcopal Church, Tower Study, 1926

Bruce Goff

A work made of crayon on drawing paper.

Boston Avenue Methodist-Episcopal Church, Exterior perspective elevation of entrance, 1927

Bruce Goff

A work made of crayon on drawing paper.

Boston Avenue Methodist-Episcopal Church, Exterior view of auditorium on Boston Ave., 1928

Bruce Goff

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