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A work made of full navy, vegetable-tanned sheepskin; endpapers of trial proofs for marcel duchamp's 1935 cover of minotaure.

Night-flight, Published 1932; rebound 1935-1942

Mary Reynolds

A work made of quarter morocco binding with brown paper; reptile-skin inlays; author and title stamped in gold on spine; original paper covers bound in.

Secrets de la jungle (Jungle Ways), Published 1931; rebound 1931-1942

Mary Reynolds

A work made of full black calfskin binding; horizontal vellum onlay; title in black ink on front cover; author's name in black ink on back cover; japanese endpapers; original paper covers bound in.

Odile: Roman, Published 1937; rebound 1937-1942

Mary Reynolds

A work made of full leather binding composed of three panels: green calfskin, beige pigskin, and tan morocco (goatskin); author and title stamped on spine; marbled endpapers; original paper covers bound in.

Ubu sur la butte: Réduction en deux actes d'Ubu roi, Published 1906; rebound 1930-1950

Mary Reynolds

A work made of full leather binding, black panel stamped with title and author's name in golf, marbled end paper leaves; original covers bound in.

Par la taille: Un Acte comique et moral en prose et en vers pour esjouir grands at petits (By the Size: A Comic and Moral Act in Prose and Verse to Delight Young and Old), Published 1906; rebound 1930-1950

Mary Reynolds

A work made of bound in combination full morocco leather with gold lettering, leather doublure margins; marbled paper end leaves; original covers bound in.

Les Enfants du limon: Roman (Children of Clay: Novel), Published 1938; rebound 1938-1950

Mary Reynolds

A work made of full goatskin with dotted-blue-calfskin onlays and gold stamping; tan wove endpapers speckled with gold leaf.

Chêne et chien: roman en vers, Published 1937; rebound 1937-1942

Mary Reynolds

A work made of fully bounded in leather with gray and maroon onlays; decorated end leaves; original covers bound in.

Tropic of Capricorn, Published 1939; rebound 1939-1950

Mary Reynolds

A work made of fully bounded in leather; title and author stamped across covers and spine in palladium, white japan paper end leaves; original covers bound in.

Prolégomènes a une ethique sans métaphysique ou, Billy, bull-dog et philosophe (Prolegomena to an ethic without metaphysics, or, Billy, bulldog and philosopher), Published 1930; rebound 1930-1950

Mary Reynolds

A work made of fully bound in leather, title and author written across leather covers and spine in palladium and blind lettering; decorated end leaves; original paper covers bound in.

Un Coup de dés jamais n'abolira le hasard: Poème, Published 1914; rebound 1930-1950

Mary Reynolds

A work made of full vellum binding with thick boards; author and title stamped in gold on spine; orange endpapers; gilt edges; original paper covers bound in.

Préface à un livre futur (Preface to a Future Book), Published 1922; rebound 1930-1942

Mary Reynolds

A work made of full tan calfskin with leather-covered cutouts; goatskin onlays spelling ubu; gold stamping; gold-speckled, yellow endpapers.

Ubu enchainé (Ubu Enchained), Published 1937; rebound 1937-1942

Mary Reynolds

A work made of fill tan calfskin with leather-covered cutouts; goatskin onlays spelling ubu and cocu; gold stamping; gold speckled, yellow endpapers.

Ubu cocu, restitué en son intégrité tel qu'il a été représenté par les marionnettes du Théâtre des Phynances (Ubu Cocu: Restored to Its integrity as It was Presented by the Puppets of the Théâtre des Phynances), Published 1944; rebound 1945-1950

Mary Reynolds

A work made of full black morocco binding with onlay; metal corset stay attached to spine; title stamped in gold on spine; mauve endpapers printed with wire-mesh pattern; original paper covers bound in.

Le surmâle: Roman moderne (Superman: A Modern Novel), Published 1945; rebound 1945-1950

Mary Reynolds

A work made of full blue morocco binding; raised bands; author and title stamped in gold on spine; doublures; top edge gilt; maps used as endpapers; original paper covers bound in; slipcase covered with maps; leather borders; lined with cloth.

Ulysses, Published 1922; rebound 1930-1950

Mary Reynolds

A work made of half black morocco binding with paper; title stamped in gold on spine; top edge gilt; decorated endpapers; original paper covers bound in.

La Révolution surréaliste, Published 1924; rebound 1930-1950

Mary Reynolds

A work made of quarter black calfskin binding with marbled paper; calfskin label on cover with title stamped in gold; author stamped in gold on spine; top edge colored; marbled endpapers; original paper covers bound in.

Exercices de style, Published 1947; rebound 1947-1950

Mary Reynolds

A work made of full black calfskin with raised bands and gold stamping; agate-marbled laid paper endpapers.

Les Derniers jours: Roman (The Last Days: Novel), Published 1936; rebound 1936-1950

Mary Reynolds

A work made of one-half snake skin with sides and end leaves covered with dark blue paper with jean crotti's name and silver paper panel; partial tinfoil lining of inside front cover; original paper covers bound in.

Jean Crotti, Published 1930; rebound 1930-1950

Mary Reynolds

A work made of full goatskin with calfskin inlays; diagonal false bands on spine with gold stamping; black endpapers and black-painted top edge.

Le vrai visage du Marquis de Sade (The True Face of the Marquis de Sade), Published 1939; rebound 1939-1950

Mary Reynolds

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