Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of lithograph in black on ivory wove paper.

The Week Before The Opening Of The Art Exhibition. Chorus: “- courage, let's finish the work! That's what friends are here for,” plate 399 from Actualités, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

Coat of Arms of Wilhelm and Wolfgang Rogendorf, 1864 (copy); 1520 (original)

Albrecht Dürer

A work made of nephrite, bloodstone, turquoise, gold, and copper alloy.

Composite Dagger, Grip (formally a mirror handle): Turkish, 16th century Crossguard: Turkish, 19th century Blade: European, probablly Spanish, late 16th–early 17th century

A work made of chromogenic print.

Polly Motene and Robert Poswayo.The first gay wedding in Meadowlands, Soweto, 1997

Ruth Seopedi Motau

A work made of pieced cotton, polyester, cellulose acetate, silk, rayon and acrylic, plain weaves; some with supplementary warps some forming cut voided pile; some self-patterned by main warp and ground weft floats; some printed; plain weave derived float weave; twill weaves, some printed; satin weave; and machine knitting; backed with cotton, plain weave; quilted with cotton threads.

"Housetop"-nine block "Half-Log Cabin" Variation, About 1975

Jessie T. Pettway

A work made of oil on canvas.

Wooded Landscape with Cottage and Horseman, 1663

Meindert Hobbema

A work made of cotton, plain weave and twill weaves; pieced; embellished with strips of cotton, plain weave, some printed, some embroidered with cotton in cross stitches, satin, running stitches and couching stitches; embellished with plastic and metal beads, plastic, metal and mother of pearl buttons, and metal amulets, bells, buckles and coins.

Jatho Ceremonial Dress, mid–20th century

Indus Kohistani people

Marble bust of a young man seen in profile with a prominent nose and fine features. He wears an ornate greek warrior's helmet atop wavy locks of hair. At the base is a plate says "Abdiel."

Abdiel, 1838–43

Horatio Greenough

Marble sculpture of a partially clothed young woman on clouds looking to her left, her hand raised to her forehead.

The Lost Pleiade, 1874–75

Randolph Rogers

A work made of marble.

America, 1850–54

Hiram Powers

A work made of marble.

Nydia, The Blind Flower Girl of Pompeii, modeled 1855–56, carved 1858

Randolph Rogers

A work made of marble.

Jephtha's Daughter, 1874

Chauncey Bradley Ives

A wall fragment with five metal grill panels—two small horizontal rectangular panels at the top and three larger vertical ones on the bottom. Vertical bars dominate the design, with cross bars forming 90-degree angles. The upper and lower registers of the three large panels feature geometric designs.

Elevator Grille from the Chicago Stock Exchange, Chicago, Illinois, 1894

Louis H. Sullivan

A work made of marble.

Bust of Mary Harris Thompson, MD, 1902

Daniel Chester French

A white-toned, blocklike sculpture with rough areas and three highly polished nude figures emerging from the rough portions. In front, a mournful man and woman grasp tightly at each other's hands while from behind, another figure buries his head in his own crossed arms, the woman's upturned hand holding onto them.

The Solitude of the Soul, Modeled in plaster 1901; sculpted in marble 1914

Lorado Taft

A work made of plaster.

Truth, 1900

Daniel Chester French

Rain Over Modoc Lava Beds

Rain Over Modoc Lava Beds, 1937

Edward Weston

Pepper

Pepper, c. 1929

Edward Weston

Maudelle Bass

Maudelle Bass, 1939

Edward Weston

Guadalupe Marin de Rivera, Mexico

Guadalupe Marin de Rivera, Mexico, 1923

Edward Weston

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