Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Atmospherics

Atmospherics, 2001-02

Carroll Dunham

Atmospherics

Atmospherics, 2001-02

Carroll Dunham

Seven Places

Seven Places, 1990-94

Carroll Dunham

Seven Places

Seven Places, 1990-94

Carroll Dunham

Seven Places

Seven Places, 1990-94

Carroll Dunham

Seven Places

Seven Places, 1990-94

Carroll Dunham

Seven Places

Seven Places, 1990-94

Carroll Dunham

Seven Places

Seven Places, 1990-94

Carroll Dunham

Seven Places

Seven Places, 1990-94

Carroll Dunham

A work made of linen, plain weave; pulled thread work embroidered with silk back, running and two-sided italian cross stitches; edged with darning stitch.

Two Border Fragments, Late 16th/early 17th century

Earthenware dish on a short stand decorated in blue with floral bands on a rim and on a skirted base. Central Chinese-style scene depicts birds in a floral garden. The glaze on a rim is damaged and reveals brownish earthenware material.

Afropick, 2005

Sanford Biggers

Bordertown

Bordertown, 1972

Larry Poons

A work made of etching on off-white laid paper.

David Reclining with the Head of Goliath, 1720s

Conte Pietro Antonio Rotari

A work made of engraving on ivory laid paper.

Flora, c. 1598-1602

Herman Jansz. Muller

A work made of color pochoir with gouache on ivory wove paper.

The Heart, from Jazz, 1947

Henri Matisse

A work made of color pochoir with gouache on ivory wove paper.

The Nightmare of the White Elephant, from Jazz, 1947

Henri Matisse

A work made of color pochoir with gouache and photolithograph in black on ivory wove paper.

The Clown, from Jazz, 1947

Henri Matisse

A work made of photolithograph in black on ivory wove paper (recto and verso).

Half title page, from Jazz, 1947

Henri Matisse

A work made of photolithograph in black on ivory wove paper (recto and verso).

Paper wrapper, from Jazz, 1947

Henri Matisse

A work made of color pochoir with gouache and photolithograph in black (recto); photolithograph in black on ivory wove paper (verso).

Monsieur Loyal, from Jazz, 1947

Henri Matisse

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