Results for artworks - Page 131 from chicago

A work made of etching and drypoint on paper.

St. Jerome Praying: Arched, 1632

Rembrandt van Rijn

A work made of etching in black on tan laid paper.

The Strolling Musicians, c. 1635

Rembrandt van Rijn

Print in black ink of three bearded men dressed in voluminous cloth hats. A fourth man in a tall cloth hat leans out of a doorway or window in apparent conversation with the others.

Three Oriental Figures (Jacob and Laban?), 1641

Rembrandt van Rijn

A work made of etching and drypoint on ivory laid paper.

The Phoenix or The Statue Overthrown, 1658

Rembrandt van Rijn

In vivid shades of red, orange, yellow, blue, and green, a grouping of row houses sits before an open expanse of land and winding, leafless trees. Everything is multicolored and outlined in thick strokes of deep blue. A figure bends down near a path.

Houses at Chatou, c. 1905

Maurice de Vlaminck

Fragment (From an Obi), Meiji period (1868–1912)/ Taishô period (1912–1926)/ Shôwa period (1926–1989)/ Heisei period (1989–present), 20th century

A work made of aquatint and etching on ivory china paper laid down on cream laid paper.

Back into Nothingness, plate fifteen from A Life, 1884

Max Klinger

The Small Lion Hunt (With One Lion), c. 1629

Rembrandt van Rijn

A work made of cotton, plain weave; resist printed with blocks.

Panel, 18th century

A work made of cotton, plain weave; resist printed.

Panel, 1775/1800

Fragment, Meiji period (1868–1912)/ Taishô period (1912–1926), 1875/1925

A work made of compound satin weave; silk and gilt-paper.

Zagu (Seating Mat), Edo period (1615–1868), 1775/1800

A work made of linen, plain weave; resist printed.

Panel, c. 1780

A work made of silk, plain weave with bands of crepe wefts; tye-dyed (shibori).

Obi (Belt), Meiji period (1868–1912)/ Taishô period (1912–1926)/ Shôwa period (1926–1989)/ Heisei period (1989–present), 20th century

Square, 18th century

A work made of embroidered in design of kiosks.

Fragment (from a Cover), 18th century

Fragment, 1200-50

Fragment, 18th century

A work made of silk, satin weave; brocaded.

Panel (Dress Fabric), 18th century

St. Jerome Praying: Arched, 1632

The Strolling Musicians, c. 1635

Three Oriental Figures (Jacob and Laban?), 1641

The Phoenix or The Statue Overthrown, 1658

Houses at Chatou, c. 1905

Fragment (From an Obi), Meiji period (1868–1912)/ Taishô period (1912–1926)/ Shôwa period (1926–1989)/ Heisei period (1989–present), 20th century

Back into Nothingness, plate fifteen from A Life, 1884

The Small Lion Hunt (With One Lion), c. 1629

Panel, 18th century

Panel, 1775/1800

Fragment, Meiji period (1868–1912)/ Taishô period (1912–1926), 1875/1925

Zagu (Seating Mat), Edo period (1615–1868), 1775/1800

Panel, c. 1780

Obi (Belt), Meiji period (1868–1912)/ Taishô period (1912–1926)/ Shôwa period (1926–1989)/ Heisei period (1989–present), 20th century

Square, 18th century

Fragment (from a Cover), 18th century

Fragment, 1200-50

Fragment, 18th century

Panel (Dress Fabric), 18th century

Panel, c. 1780/1800

St. Jerome Praying: Arched, 1632

The Strolling Musicians, c. 1635

Three Oriental Figures (Jacob and Laban?), 1641

The Phoenix or The Statue Overthrown, 1658

Houses at Chatou, c. 1905

Fragment (From an Obi), Meiji period (1868–1912)/ Taishô period (1912–1926)/ Shôwa period (1926–1989)/ Heisei period (1989–present), 20th century

Back into Nothingness, plate fifteen from A Life, 1884

The Small Lion Hunt (With One Lion), c. 1629

Panel, 18th century

Panel, 1775/1800

Fragment, Meiji period (1868–1912)/ Taishô period (1912–1926), 1875/1925

Zagu (Seating Mat), Edo period (1615–1868), 1775/1800

Panel, c. 1780

Obi (Belt), Meiji period (1868–1912)/ Taishô period (1912–1926)/ Shôwa period (1926–1989)/ Heisei period (1989–present), 20th century

Square, 18th century

Fragment (from a Cover), 18th century

Fragment, 1200-50

Fragment, 18th century

Panel (Dress Fabric), 18th century

Panel, c. 1780/1800