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A work made of black crayon or charcoal heightened with white, on a fragment of tan laid paper, laid down on white japanese tissue.

Studies of Nudes, n.d.

Henry Fuseli

A work made of black crayon or charcoal on a fragment of tan laid paper (recto), fragment of graphite sketch (verso).

Studies of Nudes, n.d.

Henry Fuseli

A work made of pen and gray and brown ink, over graphite, on tan wove paper, laid down on buff wove paper.

Minerva and Achilles, n.d.

John Flaxman

A work made of graphite on cream wove paper.

Study, 1845

Charles Meryon

A work made of pen and black ink, over graphite, on tan wove paper, laid down on cream wove paper.

The Hours Taking the Horses from Juno's Car, n.d.

John Flaxman

A work made of pen and gray ink, over graphite, on cream wove paper, laid down on ivory wove paper.

The Council of the Gods, n.d.

John Flaxman

A work made of pen and black ink, over traces of graphite, on cream wove paper, laid down on cream wove paper.

Achilles and Patroclus, n.d.

John Flaxman

A work made of pen and black ink, over graphite, on tan wove paper, laid down on cream wove paper.

Ulysses Killing the Suitors, n.d.

John Flaxman

A work made of graphite with brush and watercolor (recto) and graphite (verso) on ivory wove paper.

Fashions and Frights of 1829 (recto); Angels Ever Bright and Fair (verso), 1829

George Cruikshank

A work made of pen and gray ink, over graphite, on gray laid paper.

Seven Chiefs Against Thebes, n.d.

John Flaxman

A work made of pen and iron gall ink with brush and brown wash, heightened with white gouache, on tan laid paper, pieced together and laid down on gray laid paper.

The Assumption of the Virgin, n.d.

Tintoretto

A work made of pen and brown ink over red and black chalk on tan laid paper, laid down on ivory wove paper.

Study for Commerce or the Triumph of the Thames, 1767/80

James Barry

A work made of pen and brown ink over graphite, on buff wove paper.

Bacchanale, n.d.

Joshua Cristall

A work made of pen and black ink with brush and gray wash, over graphite, on ivory wove paper, partially laid down on ivory laid paper.

Religious Festival in Northern France, possibly Normandy, c. 1820

John Coney

A work made of pen and brown ink over graphite, on ivory laid paper, partially laid down on ivory wove paper.

Dutch Market or Fair, c. 1820

John Coney

A work made of pen and brown ink and graphite on ivory wove paper, laid down on board.

Dunfermline, March 2, 1847

William Leighton Leitch

A work made of pen and brown ink on ivory wove paper, laid down on board.

On the Thames, n.d.

William Leighton Leitch

A work made of black and red chalk on cream laid paper, laid down on board.

Shepherd Boy with Lambs in Woods, n.d.

George Morland

A work made of pen and brown ink on ivory wove paper, laid down on board.

On the Thames, n.d.

William Leighton Leitch

A work made of charcoal with stumping and traces of brush and black wash on cream laid paper.

Fright, n.d.

John Downman

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