Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Silver cylindrical beaker with engraved decoration of band-work, floral scrolls, swags of fruit and at base, three birds perched on fruit, twigs in beaks.

Beaker, c. 1640

A work made of graphite with stumping on off-white laid paper.

Study after Statue of the Knife Grinder (also known as the Scythian), 1774

John Downman

A work made of pen and brown ink, with brush and gray wash, and stumping, over black chalk, on ivory laid paper.

Study after the statue of a Boy Playing with a Theater Mask, 1775

John Downman

A work made of charcoal, with stumping, and black crayon, heightened with white chalk, on ivory laid paper, prepared with a tan ground.

Study after Antique Statue of Seated Putto Holding Mask of Silenus, 1775

John Downman

A work made of pen and brown ink with brush and gray wash and black crayon, heightened with touches of white chalk, on cream laid paper prepared with a tan ground.

Study after Antique Monumental Vase, 1774

John Downman

A work made of charcoal with stumping on cream wove paper.

Moses, c. 1775-1800

John Downman

A work made of pen and brown ink and brush and gray wash, over traces of black chalk, on ivory laid paper.

Study of an Ancient Bas-Relief of Sleeping Hunter and Dog, 1775

John Downman

A work made of pen and brown ink and brush and gray wash on ivory laid paper.

Study after an Ancient Bas-Relief with Battle of the Amazons, 1774

John Downman

A work made of black chalk with stumping on ivory laid paper.

Study after Ancient Statue of the Sleeping Hermaphrodite, 1774

John Downman

A work made of stoneware.

Vase, c. 1900

Auguste Delaherche

Shiny silvery brass vessel with wood handle, golden base.

Samovar, 1897/1907

Henry van de Velde

A work made of pen and brown ink and brush and gray wash, over traces of graphite, on ivory laid paper.

Study after Statue of a Seated Woman (Agrippina), 1775

John Downman

A work made of pen and brown ink with graphite on ivory laid paper.

Study after Statue of the Capitoline Venus, 1775

John Downman

A work made of pen and brown ink, over graphite, on ivory laid paper.

Study after Statue of the Capitoline Venus, 1774

John Downman

A work made of graphite and charcoal with stumping on ivory laid paper.

Study after Statue of Venus de' Medici, 1774

John Downman

A work made of charcoal with stumping, heightened with traces of white chalk, on ivory wove paper prepared with a pale blue ground.

Study after Antique Sculpture of the Dancing Satyr with Cymbals, 1775

John Downman

A work made of spray paint on canvas.

67-F 13, 1967

Martin Barré

A work made of charcoal with stumping on ivory laid paper prepared with a pale blue ground.

Study after the statue of the Borghese Gladiator, 1774

John Downman

A work made of oil on canvas.

Untitled (Paris, rue des Grands-Augustins), 1961

Bram van Velde

Dashes of paint of varying colors arranged at random intervals on a cream-colored background covered in evenly spaced lines.

Summer, 1970

Joan Snyder

<<<131132133134 >>>