Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Color print of ten African American people raising their fists. They stand in two diagonal lines that converge in the middle. In the background, "unite" is repeated diagonally in yellow, purple, blue, and red block letters.

Unite (AfriCOBRA), 1971

Barbara Jones

A work made of portfolio box for seventy-five color screenprints on various wove papers, in a color screenprinted paperboard portfolio box, with two albums in screenprinted covers, one sealed in plastic.

Portfolio Box for Screen Prints 1970, 1970

Sonia Landy Sheridan

A work made of record album (78) in color screenprinted cover.

Record Album, from Screen Prints 1970, 1970

Sonia Landy Sheridan

A work made of pen and brush and black ink over graphite, with erasing and adhesive shading film, on ivory card.

Mama, the Unsung Heroine: Mama Watches Television, 1953

Dorothy Bond

A work made of pen and brush and black ink over graphite, with erasing and adhesive shading film on cream card.

Autobiography, c. 1950

Dorothy Bond

A work made of pen and brush and black ink over graphite with erasing on ivory card, laid down on ivory paper.

Sparkle Plenty Welcomes Mr. Kubicek and Mr. Gould, 1950s

Chester Gould

A work made of pen, brush, and black ink over graphite, with erasing and blue wash with white gouache, and cut-and-pasted papers, on ivory card.

But the thing that bothered me most in visiting England was the way they wasted man-hours knocking off for tea, from Mostly Malarky, 1953

Wally Carlson

A work made of gelatin silver print heightened and drawn on with pen and black ink.

Portrait of Dorothy Bond, 1950s

Baker Studios

A work made of black chalk on ivory laid paper.

An Elegant Young Woman in a Garden, c. 1785

Alexandre Moitte

A work made of black fiber tipped pen with brush and blue watercolor and graphite on cream wove paper.

Igloo Cradle, c. 1960

Adrian Lamb

A work made of pen and black ink, and brush and colored washes, over touches of graphite, on seven sheets of cream wove paper.

Thousands of People Own Canaries, from Household Pe(s)ts: The Canary, c. 1960

Ed Nofziger

A work made of pen and black ink, with brush and black wash, over graphite, with blue pencil remarks and pasted adhesive shading film elements, on cream wove paper.

Sea Hag, from Popeye, 1973

Bud Sagendorf

A work made of pen and black ink, over graphite, with blue pencil remarks, and cream wove paper elements used for correction, on cream wove paper.

Dagwood and the Plumber, from Blondie, 1958

Chic Young

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Two from "The Incredible Bulk", January 1979

Angelo Torres

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel One from "The Incredible Bulk", January 1979

Angelo Torres

A work made of pen and black ink, with brush and black ink, blue pencil, adhesive shading film, cut and pasted paper elements, and touches of opaque white, over graphite, on ivory wove card.

Playing Restaurant, from Blondie, 1956

Chic Young

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Five from "The Incredible Bulk", January 1979

Angelo Torres

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Four from "The Incredible Bulk", January 1979

Angelo Torres

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Three from "The Incredible Bulk", January 1979

Angelo Torres

A work made of pen and black ink, with gray fiber-tipped pens, and white correction fluid, ruled with light blue fiber-tipped pen, over graphite, with cut-and-pasted text panels, on cream wove card.

Panel Seven from "The Incredible Bulk", 1979

Angelo Torres

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