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A work made of blackened terracotta and slip.

Container for Valuables, Early/mid–20th century

Gur

A work made of terracotta and pigment.

Water Container, Early/mid–20th century

Zarma

A work made of terracotta.

Shrine Vessel, 1949/50

Yoruba

A work made of terracotta.

Water or Palm Wine Container, Early/mid–20th century

Nupe

A work made of terracotta.

Container for Liquids, Early/mid–20th century

Mambila

A work made of terracotta.

Shrine Vessel, Early/mid–20th century

Ewe

A work made of terracotta.

Storage Container, Early/mid–20th century

Kurumba

A work made of wood, pigment, and string.

Crest Masks, Late 19th or early 20th century

Yoruba

Armlet (Gungulu)

Armlet (Gungulu), Late 19th/early 20th century

Gurunsi

A work made of wool; dovetail tapestry weave; extended selvage cord fringe. warp: hand carded wool and mohair; weft: commercially processed, aniline dyed merino wool, respun by the artist; approximately 14 warps/inch and 112 wefts/inch..

Contemporary Chief Set (Three Miniatures), 2024

Barbara Teller Ornelas

A work made of ivory, iron, and string.

Pair of Staffs (Edan), 19th century or before

Yoruba

A work made of gouache on handmade gray wove paper with white and black fibers.

Les Jardins No.2, 1966

Maria Helena Vieira da Silva

A work made of gouache on gray wove paper.

Thar, 1952

Yves Tanguy

A work made of wax crayons and colored crayon and graphite with scraping and incising, on ivory wove paper.

Untitled, 1943

Arshile Gorky

A work made of oil and oil crayon on cardboard.

Gea, 1944–45

Barnett Newman

A work made of oil paint with collaged paper on cream wove paper.

The Mediterranean Sky, 1961

Robert Motherwell

A work made of graphite with smudging, and colored crayons, on ivory wove paper.

Untitled, n.d.

Matta

A work made of pen and black ink and watercolor, on off-white wove paper.

Moscovite, 1950

Dorothy Dehner

A work made of brush and black and red opaque watercolors and pastel on tan wove paper.

Hyderabad, 1962

Rasheed Araeen

A work made of pen and brush and black ink, over graphite, with daylight fluorescent inks, sprayed through stencils, on white wove paper.

Untitled, 1969

Miguel Ángel Cárdenas

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