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A work made of pastel, with touches of black conté crayon, over various charcoals, on cream wove paper altered to a golden tone.

Sita, c. 1893

Odilon Redon

A work made of various charcoals, with touches of black chalk, stumping, erasing, incising, and subtractive sponge work, heightened with traces of white chalk, on cream wove paper altered to a golden tone.

Guardian Spirit of the Waters, 1878

Odilon Redon

A work made of various charcoals, with touches of black chalk, stumping, wiping, and erasing, on pale-pink wove paper with red and blue fibers altered to a golden tone.

The Sphinx, 1883

Odilon Redon

A work made of various charcoals, with touches of black chalk and black conté crayon, stumping, incising and erasing, on yellowish cream wove paper altered to a golden tone.

Strange Flower (Little Sister of the Poor), 1880

Odilon Redon

A work made of various charcoals, with stumping, erasing, and incising, on pale-pink wove paper with red and blue fibers altered to a golden tone.

Cauldron of the Sorceress, 1879

Odilon Redon

A work made of watercolor and gouache, with pen and blue ink, over traces of graphite, on ivory wove paper, wrapped and adhered on verso to wood pulp board.

Inspiration, c. 1893

Gustave Moreau

A work made of various charcoals, with touches of black chalk, stumping, wiping and erasing, heightened with touches of white and ocher gouache, on cream wove paper altered to a pale, golden tone.

Primitive Man, 1872

Odilon Redon

A work made of handcolored lithograph in black on mottled gray-blue wove paper (discolored to gray-green), laid down on white wove paper.

Madonna, 1895/96

Edvard Munch

A work made of lithograph on mounted ivory china paper.

The Wheel, plate three from In Dreams, 1879

Odilon Redon

A work made of charcoal and graphite with stumping on ivory wove paper, laid down on wood pulp board.

The Veil, c. 1887

Fernand Khnopff

A work made of etching on ivory chine collé on off-white wove paper.

Rescue, plate four from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

A Glove: Action, 1881

Max Klinger

A work made of ivory chine collé on off-white wove paper.

Place, plate one from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Fears, plate seven from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Homage, plate six from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Triumph, plate five from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Cupid, plate ten from A Glove, 1881

Max Klinger

A work made of etching and aquatint on ivory chine collé on off-white wove paper.

Abduction, plate nine from A Glove, 1881

Max Klinger

A work made of etching on ivory chine collé on off-white wove paper.

Repose, 1881

Max Klinger

A work made of soft varnish ("vernis mou") etching, drypoint and roulette in brownish-red on cream wove paper.

Frontispiece to Les baisers morts, 1893

Félicien Rops

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