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A work made of charcoal, with stumping, scraping and erasing, on ivory laid paper (discolored to cream), perimeter mounted on cream wove paper.

Women Praying in Church, 1875/1885

Léon Augustin Lhermitte

A work made of graphite with stumping on ivory wove paper.

Sluice, 1885

Adolph Friedrich Erdmann von Menzel

A work made of etching on paper.

Mill in the Cressbeds at Veules, 1873

Carel Nicholaas Storm van's Gravesunde

A work made of collage of torn printed and painted paper on board, stitched with string, with pen and black ink, on a gelatin silver photograph.

Untitled (Orange Dress), c. 1960

Ray Johnson

A work made of lithograph in black on off-white wove paper.

“Pardon me, Mayor.... would you please be so kind to tell me whether swimming is allowed here?,” plate 25 from Les Baigneurs, 1840

Honoré-Victorin Daumier

A work made of lithograph in black on off-white wove paper.

“Come on in, Monsieur, don't be shy. It's a living picture.... just like (you'd see) at the Porte St. Martin,” plate 62 from Les Bons Bourgeois, 1847

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

Madame Greluche: “Oh, Gustave, how good! A real soothing warmth! Look at our son Loulou; the cute face he makes!” Mr. Greluche: "And Pyramus, he is afraid, afraid like a dog. If you only knew what he is doing right now, the little rascal,” plate 4 from Les Baigneurs, 1839

Honoré-Victorin Daumier

A work made of watercolor and gouache, with black chalk, on cream laid paper.

Fishing Boat, 1878

Johan Barthold Jongkind

A work made of collage of cut printed, colored, and white wove papers, with opaque purple watercolor, pen and black ink, touches of opaque black watercolor, traces of opaque orange paint, and graphite on board.

Untitled (I Shot an Arrow), c. 1957-59

Ray Johnson

A work made of lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper.

A Woman Sitting by the Window (“Evening Thou Bringest All”), from the first issue of Specimens of Polyautography, 1802, published 1803

Henry Fuseli

A work made of lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper.

Angel of the Resurrection, from the first issue of Specimens of Polyautography, 1801, published 1803

Benjamin West

A work made of engraving on ivory laid paper.

Pathfinder Illustration, n.d.

Jakob Ernst Marcus

A work made of gold, enamel, and glass.

Snuff Box: Portrait of Tsar Alexander I, 1816

A work made of watercolor on ivory, mounted in tortoise shell and gold box.

Portrait of a Lady, 1761

John Smart

Portrait of Prince Charles Edward (?)

Portrait of Prince Charles Edward (?), c. 1778

Samuel Cotes

A work made of watercolor on ivory, mother-of-pearl.

Portrait of Miss Eleanor Falkingham, 1764

Richard Cosway, R.A.

A work made of enamel on copper.

Portrait of Frances, Countess of Essex, c. 1750/60

Nathaniel Hone

A work made of watercolor on ivory.

Portrait of a Gentleman, 1802

William Grimaldi

A work made of watercolor on ivory.

Portrait of James Butler, 1st Duke of Ormond (1610-1688), 17th century

Thomas Flatman

A work made of watercolor on ivory.

Portrait of a Lady, c. 1795

Abraham Daniel

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