Curator

  • Art Institute Chicago
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A work made of pen and gray and brown ink with brush and watercolor, over traces of graphite, on tan wove paper, laid down on card.

Post House in Cologne, 1791

Thomas Rowlandson

A work made of pen and gray and brown ink, with brush and watercolor, over traces of graphite, on tan wove paper, laid down on card.

Postcart Monks and Women Near Church Door, 1791

Thomas Rowlandson

A work made of watercolor and graphite on cream wove paper.

Pivoting Nude, Seen from Above, 1896/1900

Auguste Rodin

A work made of dye imbibition print.

Aztec Creek, September 5, 1962

Eliot Porter

A work made of graphite on ivory card.

Portrait of a Man, n.d.

Bert R. Elliott

A work made of black chalk on ivory laid paper laid down on cream wove paper, discolored to tan, laid down on cream wove paper.

Peasant Woman, n.d.

Jean François Millet

A work made of black chalk on tan wove paper laid down on cream wove paper.

Standing Figure, 1848/52

Jean François Millet

A work made of graphite on cream wove paper.

Study for Exhibition Room, Somerset House, from Microcosm of London, c. 1808

Augustus Charles Pugin

A work made of pen and brown ink over graphite, on ivory wove paper.

Study for House of Commons, from Microcosm of London, 1807

Augustus Charles Pugin

A work made of pen and black ink, with brush and gray wash, over graphite, on ivory laid paper.

Walrus Hunt, 1801

Elizabeth Fitzgerald

A work made of pen and black ink, over traces of graphite, on cream wove paper, laid down on cream wove paper.

Achilles and Patroclus, n.d.

John Flaxman

A work made of dye imbibition print.

Dead Yellow Warbler, 1978

Eliot Porter

A work made of dye imbibition print.

Wiencki Island, Antarctica, February, 1976

Eliot Porter

A work made of dye imbibition print.

Winter River, 1958

Eliot Porter

A work made of pen and black ink on off-white wove paper, prepared with a pinkish-gray watercolor wash.

An Eminent Journalist, 1922

Bert R. Elliott

A work made of straw, 2:2 oblique point twill interlacing; edged with leather; lined with suede; metal clasp and grommets.

Tobacco Pouch, late Edo period (1789–1868)/ Meiji period (1868–1912), 19th century

A work made of pen and gray and brown ink, over graphite, on tan wove paper, laid down on buff wove paper.

Minerva and Achilles, n.d.

John Flaxman

A work made of silk, crossed knitting with glass beads; silk and glass beads, loop fringe; band: silk, plain weave.

Bag, c. 1839

A work made of silk, cut velvet weave; tassels: silk and gilt-metal cording.

Bag, 1785 (1875/1900 reworked)

A work made of linen and wool, weft-faced plain weave with areas of weft floats; slits in some areas; additional patterning introduced throughout in cut pile in linen and wool.

Hanging, 20th century

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