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A work made of fan painting; ink on gold paper.

Calligraphy, 1558–1639

Chen Jiru

A work made of folding fan mounted as an album leaf; ink on gold paper.

Calligraphy, 1555–1636

Dong Qichang

A work made of folding fan mounted as an album leaf; ink and color on gold paper.

The Gathering at the Orchid Pavilion, Qing dynasty (1644–1911)

Qiu Ying

A work made of folding fan mounted as an album leaf; ink on gold paper.

Landscape after a Poem by Yue Fei, 1632-1683

A work made of folding fan mounted as an album leaf; ink on gold paper.

Narcissus, Ming dynasty (1368–1644), 16th century

Wang Guxiang

A work made of folding fan mounted as an album leaf; ink on gold paper.

Landscape 山水扇面, Ming dynasty (1368–1644), 17th century

Pei Zhi

A work made of folding fan mounted as an album leaf; ink and color on gold paper.

Birds, Berries, and Flowers 花鳥折扇, Ming dynasty (1368-1644) or Qing dynasty (1644-1911)

Lu Zhi

A work made of folding fan mounted as an album leaf; ink and color on gold paper.

Landscape, Ming Dynasty (1368–1644)

Zhou Chen

A work made of folding fan mounted as an album leaf; ink on gold paper.

Landscape in the Style of Ni Zan, Ming dynasty (1368-1644) or Qing dynasty (1644-1911)

Dong Qichang

A work made of folding fan mounted as an album leaf; ink and color on gold paper.

Landscape, Ming dynasty (1369–1644) or Qing dynasty (1644-1911)

Qiu Ying

A work made of color woodblock prints; oban triptych.

The Fifth Month, a Set of Three (Gogatsu sambukutsui), from the series "Twelve Months by the Twin Brushes of Toyohiro and Toyokuni (Toyohiro Toyokuni ryoga juni ko)", c. 1798

Utagawa Toyokuni I

A work made of brush and gray wash over black and white chalk, on gray laid paper (lunette).

Narcissus, c. 1670

Polidoro da Caravaggio

A work made of silk, gilt-and-silvered-metal-strip-wrapped silk, 4:1 satin weave with supplementary brocading wefts and self-patterned by reversing of faces.

Three Panels, 1712/13

A work made of silk, gilt-and-silvered-metal-strip-wrapped silk, warp-float faced 4:1 satin weave with supplementary brocading wefts bound in twill interlacings and self-patterned by areas of weft-float faced 4:1 twill interlacing.

Panel, c. 1707/08

A work made of graphite and charcoal, heightened with touches of white chalk, on tan tracing paper, squared in charcoal, laid down on cream wood pulp laminate board.

Two Flying Figures with a Lyre (Study for The Sacred Grove, Beloved of the Arts and the Muses), c. 1883

Pierre Puvis de Chavannes

A work made of lithograph on paper.

The Saint of the Inner Light, 1921

Paul Klee

A work made of color lithograph on cream wove card.

Dictum, 1921

Johannes Itten

A work made of silk and gilt- and silvered-metal-strip-wrapped silk, warp-float faced 7:1 satin weave with supplementary brocading wefts and self-patterned by areas of weft-float faced 1:3 's' weft chevron twill weave.

Panel, 1680/1700

A work made of silk and gilt-metal-strip-wrapped silk, 4:1 satin weave with supplementary brocading wefts bound in twill interlacings and self-patterned by reversing of faces.

Panel, c. 1711/12

A work made of pen and black ink on cream paper, tipped onto blue-green wove paper.

Invitation to a concert, n.d.

Félicien Rops

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