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A work made of wood and pigment.

Headdress (Ago Egungun), Mid–late 19th century

Yoruba

A work made of wood, iron nails, and traces of pigment.

Stool, Late 19th or early 20th century

Igbo

A work made of wood and pigment.

Tray (Opon Ifa), Mid–20th century, probably 1930s

Yoruba

A work made of wood and pigment.

Container (Opon Igede), Early 20th century

Yoruba

A work made of engraving on silk.

The Mocking, Flagellation, and Crucifixion of Christ (The Great Calvary), 1615

Jacob Matham

A work made of brass.

Plaque, 16th/17th century

Edo

A work made of stoneware with celadon glaze.

Covered Jar with Floral Motifs, Goryeo dynasty (918–1392), 12th-13th century

A work made of wood and sacrificial material.

Equestrian Figure, 16th/19th century

Dogon

Porcelain soup plate decorated with conventional scroll and shell motif in gold on the rim and central colorful scene of people in bright clothes with water vessels gathering around a golden vase being filled with water.

Spindle Vase, Early 21st century

Young-jae Lee

Bust of young boy with large eyes and long curly hair, looking to his side.

Bust of a Youth (Saint John the Baptist), 1630/40

Francesco Mochi

A work made of color aquatint with etching in black ink on cream wove paper.

Paternal Pleasures, c.1796

Philibert Louis Debucourt

A work made of silvered bronze.

Sigurd and Odin Valkyrs, 19th century

Rudolph Mayer

A work made of bronze.

Music, 19th century

Charles Pillet

A work made of bronze.

Medal, 19th century

Artist unknown

A work made of bronze.

Agriculture, 19th century

Henri Naude

A work made of silvered bronze.

Ministere De L'Agriculture Société Nationale D'Aviculture De France Concours De 1900, 1900

Hubert Ponscarmé

A work made of bronze.

Fondation Du Musé Europén Copies D'Apres Les Maitres..., 1872

Hubert Ponscarmé

A work made of bronze.

Anno Nieuwpoort 1600 and Anno Waterloo 1815, 19th century

Voet

A work made of bronze.

Ducite Aratra Boves, 19th century

Lambertus Zijl

A work made of silk, warp-float faced 3:1 'z' twill weave with supplementary discontinuous facing brocading wefts forming areas of weft loops (known as bouclé) tied by secondary binding warps in weft-float faced 3:1 twill interlacing and supplementary pile warps forming cut, pile on pile, voided velvet.

Altar Frontal, 1480-1550

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