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A work made of silvered bronze.

Ministere De L'Agriculture Société Nationale D'Aviculture De France Concours De 1900, 1900

Hubert Ponscarmé

A work made of bronze.

Fondation Du Musé Europén Copies D'Apres Les Maitres..., 1872

Hubert Ponscarmé

A work made of bronze.

Anno Nieuwpoort 1600 and Anno Waterloo 1815, 19th century

Voet

A work made of bronze.

Ducite Aratra Boves, 19th century

Lambertus Zijl

A work made of silk, warp-float faced 3:1 'z' twill weave with supplementary discontinuous facing brocading wefts forming areas of weft loops (known as bouclé) tied by secondary binding warps in weft-float faced 3:1 twill interlacing and supplementary pile warps forming cut, pile on pile, voided velvet.

Altar Frontal, 1480-1550

A work made of andesite.

God Ganesha, Remover of Obstacles, 9th/10th century

A work made of terracotta.

Dragon-Shaped Architectural Ornament, 13th/14th century

A work made of chlorite phyllite.

Four-Armed Sarasvati, Goddess of Learning, Seated in Lotus Position (Padmasana), Hoysala period, 12th century

A work made of sandstone.

Goddess Durga Slaying the Buffalo Demon (Mahishasuramardini), 6th century

A work made of sandstone.

Guardian Lion, Angkor period, 10th‒12th century

Khmer

A work made of sandstone.

Twenty-Armed Dancing God Ganesha, Remover of Obstacles, 10th century

A work made of sandstone.

A Goddess, Angkor period, 12th century

Khmer

A work made of wood.

Crowned and Bejewelled Buddha, Pagan period, late 12th/early 13th century

A work made of sandstone.

Bodhisattva Avalokiteshvara, Angkor period, 11th century

Khmer

A work made of sandstone.

Male Deity, Angkor period, 11th century

Khmer

A work made of sandstone.

Head of Goddess, Angkor period, late 12th–early 13th century

Khmer

A work made of cotton, silk, and silver-leaf-over-lacquered-paper-strip-wrapped bast fiber (probably ramie), plain weave with supplementary patterning and brocading wefts, main warp fringe.

Ceremonial Hanging (palepai), c. 1900

Paminggir

A work made of color aquatint with etching and engraving in black ink on cream laid paper.

La Promenade Publique (The Public Stroll), 1792

Philibert Louis Debucourt

A work made of collage of cut and pasted photocopied papers, with traces of incising, over white-out and graphite, on cream wove paper.

Untitled, 1977

Jack Whitten

A work made of earthenware and tin-glaze, with cobalt glaze.

Tibor (Jar), 1700–50

Talavera Poblana

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