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A work.

Fragment (Border), 100 BCE-200 CE

Nasca

A work.

Band, 100 BCE-200 CE

Nasca

A work.

Fragment (Border), 100 BCE-200 CE

Nasca

A work made of drypoint on cream wove paper.

Portrait of Antonin Proust, 1884–88

Auguste Rodin

A work made of graphite on cream wove paper.

Farm Landscape with Storm Clouds, 1941

Torvalt Arnt Hoyer

A work made of black chalk on cream laid paper.

Head of an Old Man, possibly Seneca, c. 1620

Circle of Peter Paul Rubens

A work made of pen and brown ink, with brush and brown wash and a touch of opaque white watercolor, ruled in pen and brown ink at all edges, on cream laid paper.

Satyr Among the Peasants, 1645/50

Barent Fabritius

A work made of etching on cream laid japanese paper.

The Cook's Recipe, 1878

Augustin Théodule Ribot

A work made of graphite on ivory wove paper.

Exquisite Corpse, n.d.

Georges Hugnet

A work made of graphite (recto and verso) on cream wove paper.

Girl in Peasant Dress (recto); Sheet of Sketches: Women and Girls (verso), 1891

Karel Vitezslav Masek

A work made of etching on ivory laid paper.

Oak from Rocks, 1861

Théodore Rousseau

A work made of pen and black ink, on tan wove paper, laid down on buff wove paper.

Study of Bathers, n.d.

Rodolphe Bresdin

A work made of graphite on ivory laid paper.

Village with Windmill and Church, 1777

Paul Theodor van Brussel

A work made of pen and brown ink on tan wove paper.

Half-Length Portrait of Woman, n.d.

Augustus Edwin John

A work made of drypoint on cream laid paper.

Portrait of Victor Hugo, Three-quarter View, 1884

Auguste Rodin

A work made of pen and brown ink, with brush and brown wash, on buff laid paper, laid down on cream laid card.

Three Caryatids Supporting a Basket, n.d.

Jacob Jordaens

A work made of pen and brown ink on cream laid paper.

Copy after the Levite and the Violated Woman, mid-17th century

Follower of Rembrandt van Rijn

A work made of graphite on cream wove paper.

Soldiers and Arabs, n.d.

Charles Huard

A work made of pen and brown ink with brush and brown and gray wash, over traces of black chalk, on ivory laid paper.

The Mocking of Christ, 1633/35

Andries Dirksz. Both

A work made of pen and gray ink with brush and gray wash, heightened with lead white (partly discolored), on gray laid paper.

The Mystic Marriage of Saint Catherine, 1660/69

Leonard Bramer

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