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A work made of ceramic, plaster, and pigment.

Bowl Depicting a Female Figure with Shield and Darts Motifs, 300–600 CE

Teotihuacan

A work made of transfer lithograph in black on cream laid paper.

Battersea from the River, Low Tide, 1890–94

Theodore Roussel

A work made of ceramic, stucco, and pigment.

Tripod Vessel with a Blowgunner Scene, 300–500 CE

Teotihuacan

A work made of greenstone.

Figurine, c. 400 CE

Teotihuacan

A work made of iron pyrite, jade, shell, magnatite or ilmenite, and spondylus shell.

Mirror with Jaguar or Coyote Mosaic, 500–600 CE

Teotihuacan

A work made of stone and spondylus shell with stucco.

Shell Mosaic Ritual Mask, 300–600 CE

Teotihuacan

A work made of transfer lithograph in black on cream laid paper.

Study from the Nude, Woman Asleep, 1890–94

Theodore Roussel

A work made of transfer lithograph in black on cream laid paper.

La Toilette, 1890–94

Theodore Roussel

A work made of transfer lithograph in black on cream laid paper.

Head of a Woman Leaning on Her Hand, 1890–94

Theodore Roussel

A work made of transfer lithograph in black on cream laid paper.

La Liseuse—The Reader, Lamplight, 1890–94

Theodore Roussel

A work made of transfer lithograph in black on cream laid paper.

The Chinese Gown, 1890–94

Theodore Roussel

A work made of engraving on ivory laid paper.

The Test of the Corset, 1788

Antoine Francois Dennel

A work made of transfer lithograph in black on cream wove paper.

A Study by Lamplight, 1890–94

Theodore Roussel

A work made of color etching, aquatint, softground, and drypoint on ivory wove paperboard.

Mount for La Chine, 1897–99

Theodore Roussel

A work made of etching, aquatint, softground, and drypoint in brown and yellow metallic on ivory japanese paper.

Mount for Embers Glow, 1897–99

Theodore Roussel

A work made of color etching, aquatint, softground, and drypoint on ivory japanese paper.

Mount for Summer, 1897–99

Theodore Roussel

A work made of aquatint in yellow metallic ink on ivory laid paper.

Mount for The Thames, Evening, 1897–99

Theodore Roussel

A work made of drypoint, aquatint, softground and lavis in yellow metallic and off-white on ivory laid paper.

Mount for The Thames, Evening, 1897–99

Theodore Roussel

A work made of softground etching, aquatint, lavis and drypoint in black and yellow metallic on ivory japanese paper.

Mount for Anemonies, 1897–99

Theodore Roussel

A work made of ceramic and pigment.

Standing Female Figure, 100–300 CE

Nayarit

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