Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of black and red chalk, with pastel and stumping, on greenish-blue laid paper.

Christ Child: Study for the Madonna di San Giovanni, c. 1565

Federico Barocci

A work made of red and black chalk, on buff laid paper, laid down on cream laid paper, tipped onto cream board.

Standing Academy, c. 1587

Andrea Boscoli

A work made of graphite, with watercolor, on ivory laid paper.

View of Douai, 1667–70

Frans van der Meulen

A work made of gouache and watercolor over graphite on board.

Idole II, n.d.

František Kupka

A work made of black chalk with stumping, heightened with touches of white gouache and traces of white chalk, on buff laid paper.

A Woodman Seated on a Bundle of Faggots, 1787

Thomas Gainsborough

A work made of black chalk, heightened with white chalk and lead white, partially oxidized, over stylus underdrawing, on cream laid paper.

Upraised Right Hand, with Palm Facing Outward: Study for Saint Peter, 1518/20

Raphael

A work made of brush and vermilion wash, heightened with lead white, over stylus incising, on cream laid paper toned pink, laid down on cream laid paper.

Fortitude (Study for the "Cabinet du roi" [King's Study]), 1541/45

Francesco Primaticcio

A work made of gouache and ink on printed paper.

Dada Gauguin, 1920

Max Ernst

A work made of pen and brown ink on tan paper, laid down on cream laid paper.

Two Studies of the Head of a Youth, c. 1550

Baccio Bandinelli

A work made of red chalk on cream laid paper prepared with pink wash (diluted red chalk wash), laid down on cream laid card.

St. Benedict Gesturing to the Left: Study for the Coronation of the Virgin, 1520/23

Antonio da Correggio

A work made of pastel and charcoal on cream laid paper.

The Departure for Work, 1857

Jean François Millet

A work made of charcoal with stumping, with black chalk, heightened with white chalk, on blue laid paper, tipped on to beige japanese paper.

A Young Boy Wearing a Plumed Hat, and a Young Girl, 1735/40

Giovanni Battista Piazzetta

A work made of pen and black ink (recto) and watercolor (verso) on ivory laid paper.

Study Sheet (recto); Untitled (verso), c. 1914 (recto); c. 1919 (verso)

Paul Klee

A work made of watercolor, over graphite, on cream laid paper, edge mounted on cream card.

A Boatyard at the Mouth of an Estuary, 1800

Thomas Girtin

A work made of collage of various cut-and-pasted papers, including abrasive paper (prepared with gouache and silver metallic paint), on cream wove paper, laid down on tan laminate board.

Proun, 1920

El Lissitzky

A work made of brush and black ink, and watercolor, with scraping, on cream wove paper, laid down on ivory wove paper and edge mounted on card.

The Valley of the Eisak Near Brixen in the Tyrol, 1783/84

John Robert Cozens

A work made of watercolor, over graphite, on cream laid paper.

View of the Ponte Rotto, Rome, with Watermills, late 1630s

Jan Asselijn

A work made of black and white chalk on tan wove paper.

Study for "A Garden", c. 1869

Albert Joseph Moore

A work made of watercolor, with traces of shell gold, over graphite on cream wove paper, perimeter mounted to cream wove card.

Evening in Italy—the Deserted Villa, 1845

Samuel Palmer

A work made of black chalk with brush and black ink and brown wash, heightened with white gouache, on ivory laid paper prepared with a gray wash.

Fingal Mourning Over the Body of Malvina, from Ossian's Berrathon, c. 1810

Anne-Louis Girodet de Roussy-Trioson

<<<1100110111021103 >>>