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A work made of black chalk with stumping, heightened with white chalk, on tan laid paper toned with a light brown wash.

Study for The Speculators at the Palais Royal, 1797

Louis-Léopold Boilly

A work made of watercolor on white wove paper.

Collioure, Pyrénées-Orientales, c. 1924

Charles Rennie Mackintosh

A work made of pen and brown ink, brush and brown wash, and white gouache, over black chalk, on ivory wove paper.

The Bark, 1771/80

Pierre Ozanne

A work made of graphite, with brush and gray wash, on cream laid paper, laid down on cream wove paper, edge mounted onto grayish-cream wove paper.

A Sunlit Path through a Wood, 1750/59

Thomas Gainsborough

A work made of hand-colored lithograph on zinc on tan wove paper, tipped onto cream wove paper.

The Stroll, 1888

Émile Bernard

A work made of pen and brown ink, with brush and light brown wash, on ivory laid paper, laid down on cream laid paper.

Damon and Pythias, 1632

Guercino

A work made of charcoal and black chalk, with stumping, scraping, and erasing, on buff wove paper, altered to tan.

The Woodcutters, 1860

Gustave Courbet

A work made of watercolor, over graphite, on ivory laid paper, laid down on white laid paper, folded.

A View from the Palatine Hill, Rome, the Alban Hills in the Distance, c. 1775

Carlo Labruzzi

A work made of charcoal and black chalk, with stumping and erasing, and graphite sketches and notations, on tan laid paper, laid down on heavy tan wove paper.

Academic Nude, Seen from the Back, 1862

Paul Cezanne

A work made of oil paint, with frottage, wiping, and scraping, on tan wove paper, laid down on cardboard.

Barbarians Marching to the West, 1935

Max Ernst

A work made of graphite and red chalk, with watercolor, touches of charcoal, and stumping, on ivory wove paper, edge-mounted to cream wove paper.

Portrait of a Lady, n.d.

Sir Thomas Lawrence

A work made of pen and black ink on off-white laid paper.

Fishermen, 1774

John Hamilton Mortimer

A work made of pen and brown ink, with gray gouache, over black chalk, heightened with lead-white gouache (discolored), on blue laid paper, pieced, and laid down on ivory laid paper.

The Last Judgment, n.d.

Tintoretto

A work made of pen and brown ink, with brush and brown wash, heightened with white gouache, over black chalk, on cream laid paper, pieced.

Saint Catherine Disputing with the Philosophers, 1562/63

Livio Agresti

A work made of watercolor, with stippling, pen and black ink, blue pencil, and bands of mauve gouache, on ivory laid paper, laid down on ivory wove card.

The Malady, 1926

Paul Klee

A work made of pen and brown ink, with brush and brown wash, heightened with lead white gouache, on blue laid paper.

Saint Catherine in Prison Converting the Empress Faustina to Christianity, Flanked by Saints Saturnius and Simon, 1570/71

Federico Zuccaro

A work made of collage of strips of cut-and-pasted commercially manufactured colored wove papers.

Study for Seven Color Panels, 1952

Ellsworth Kelly

A work made of pen and black ink on cream laid paper.

Venus and Cupid, 1789

John Deare

A work made of opaque watercolor and shell gold on parchment.

Miracle of the Deer of Saint Bassiano, from a Choir Book, 1500/10

A work made of pen and brown ink and brush and brown wash on cream laid paper.

Head of a Peasant in Profile to the Left, c. mid–1630s

Guercino

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