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A work made of metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso.

The Death of Christ, 1460–65

Unknown artist

A work made of metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso.

Christ Carrying the Cross, 1460–65

Unknown artist

A work made of metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso.

Christ in Limbo, 1460–65

Unknown artist

A work made of metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso.

The Deposition, 1460–65

Unknown artist

A work made of metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso.

The Pietà, 1460–65

Unknown artist

A work made of metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso.

Noli me Tangere, 1460–65

Unknown artist

A work made of metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso.

The Ascension, 1460–65

Unknown artist

A work made of metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso.

The Resurrection, 1460–65

Unknown artist

A work made of watercolor with graphite on white wove paper.

Man Wearing a Straw Hat, 1905/06

Paul Cezanne

A work made of graphite on off-white wove paper.

Self-Portrait, 1860

Simeon Solomon

A work made of watercolor over graphite with gum arabic on cream laid paper.

Near Tivoli, 1777

Thomas Jones

A work made of brush and black ink, with touches of graphite on tan wove paper.

At the Theatre, 1892

Édouard Jean Vuillard

A work made of black chalk, with stumping, and traces of red chalk, heightened with traces of white chalk, over stylus incising, on cream laid paper.

Christ before Pilate, 1522/23

Pontormo, (Jacopo Carrucci)

A work made of pen and brown ink over graphite on buff laid paper.

Portrait of a Mother and Her Son (Probably Jane, Duchess of Gordon, and her Son George, First Marquess of Huntley), c. 1778

George Romney

A work made of pen and iron gall ink, with brush and brown wash on cream laid paper edge mounted to cream laid paper (recto), and pen and iron gall ink on cream laid paper with decorative border in pen and brown ink (verso).

Drunken Silenus and Decorative Sketches: Studies for the Tazza Farnese (recto); Two Putti Fighting: Study for the Galleria Farnese (verso), 1599/1601

Annibale Carracci

A work made of pen and brown ink and brush and black, gray and colored wash, over graphite, on ivory laid paper.

Subterranean Mausoleum, 1780/1790

Pietro di Gottardo Gonzaga

A work made of graphite with stumping, on ivory wove paper, edge mounted to off-white wove paper.

Elizabeth Siddal (Mrs. Dante Gabriel Rossetti), c. 1854

Dante Gabriel Rossetti

A work made of pen and black ink with brush and gray-and-brown wash, heightened with lead white, partially oxidized, on cream laid paper, edge mounted to cream wove card.

Sacrificial Scene, 1489/90

Gian Francesco de Maineri

A work made of black chalk on ivory laid paper.

Ruins of the Opera After the Fire of 1781, 1781

Hubert Robert

A work made of red and black chalk, with touches of white chalk, on cream laid paper.

Nude Old Man Seated, Leaning on His Forearm, Facing Left, c. 1640

Jacob Jordaens

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