Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Golden-colored, ornate wall clock adorned with golden flourishes, a bent figure with an arrow at top.

Wall Clock, c. 1735–40

Jean Pierre Latz

A work made of oil on canvas.

Still Life Reviving (Naturaleza muerta resucitando), 1963

Remedios Varo

A work made of glazed porcelain.

Famille Verte Model of Foreigners Aboard a Ship, Qing Dynasty, Kangxi period (1662-1772)

A work made of black ash, braided ash, cedar bark, and synthetic dye.

Nearly Monochrome, 2022

Jeremy Frey

A work made of opaque watercolor with gilded paper on canvas on wood.

Shiva Nataraja Enshrined at Chidambaram Temple with Attendants, 19th century

Painting of a snowy scene in a yard adjacent to a small house or shed. Two young children and a dog play at center, an older woman to their right and what looks like two older boys to their left. Three turkeys run about.

Thanksgiving Turkey, c. 1940

Grandma Moses (Anna Mary Robertson Moses)

A lively and vibrantly colored painting dense with figures that take up the entire canvas. These include a wizard-like man with a long white beard in a black top hat, spectacles, and a bright-blue robe adorned with celestial imagery. Robed revelers pass behind him on white horses, and he is flanked by two figures: to the left, a medium-skinned woman in a yellow dress holds a cone-shaped telescope aloft and peers into it with one eye, while at left, a light-skinned child wearing a cone-shaped party hat holds a horn-shaped noisemaker to their mouth.

El Mago/Pim Pam Pum (The Magician/Pim Pam Pum), 1926

Maruja Mallo

A work made of layers of cotton, plain weave; pieced and quilted; appliquéd with wool and wool and cotton plain weaves and wool twill weaves; embroidered with cotton in chain, cross, and a derivative of herringbone stitches; applied plied yarn edging; lined with cotton plain weaves; pieced.

Tunic (Jibbeh), 1885/99

Mahdist peoples

Painting features a forked dirt road upon which two figures meet, one in blue and one in brown, walking a dog. Beyond them at left is a brown barn; at right, a sprawling white house. In the distance is a ridge of trees and hazy low mountains.

Home, c. 1940

Grandma Moses (Anna Mary Robertson Moses)

A work made of oil on hardboard.

The Cambridge Valley, Before 1942

Grandma Moses (Anna Mary Robertson Moses)

Painting of a long covered bridge ablaze, its interior bright orange and flames erupting from its roof and windows. The bridge straddles a light-blue river, a densely populated town visible on the hill of the opposite bank. Small human figures scurry about the bridge opening carrying buckets. In the foreground, a horse harnessed to a carriage rears.

Burning of the Troy Bridge, c. 1941

Grandma Moses (Anna Mary Robertson Moses)

A work made of gelatin silver print.

Mary Reynolds and Marcel Duchamp, 1937

Constantin Achillopoulos

A work made of 96 elements; sculptures, drawings, and photographs dated 1984 through 2013, packing materials, and marvelseal.

Marvelseal Work, 2020-21

Margaret Honda

A work made of oil on canvas.

November 1978, 1978

Sylvia Plimack Mangold

Very large rectangular object depicting green squares with black squares in almost a tiled floor appearance. There is a long white ruler that runs along most of the bottom border.

In Memory of My Father, 1976

Sylvia Plimack Mangold

Painting of a bare-limbed tree with tall branches superimposed upon a squat evergreen. A smooth, misty-vacant background. Soft, flat green peeks from behind hard upturned limbs.

The Maple Tree with Pine, 2005

Sylvia Plimack Mangold

A work made of cotton and wool, plain weave with supplementary patterning wefts (overshot); three loom widths joined.

Coverlet, 1835/40

A work made of cotton and wool, plain weave with supplementary patterning wefts (overshot); three loom widths joined.

Coverlet, 1800/25

A work made of ceramic (earthenware) and pigment.

Black-and-White Storage Jar with Abstract Geometric Motifs, 1890s

Pueblo of Acoma

A work made of bronze.

A Goddess, possibly Uma, Champa period, 9th/10th century

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