Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Print of woman with distorted and exaggerated features holding handkerchief to face.

Weeping Woman I, July 1, 1937

Pablo Picasso

An architectural model of a building made up of white composite forms resembling rhythmic skeletal fragments on a clear base.

Sur, Long Island City, New York, 2005

Hernán Díaz Alonso

A work made of guest book with autographs and drawings by various artists, writers, scientists, etc.; cream wove paper, leather bound.

Guest Book of Mrs. Gilbert W. Chapman (II), January 17, 1944–December 3, 1969

A work made of guest book with autographs and drawings by various artists, writers, scientists, etc. on cream laid paper in leather binding.

Guest book of Mrs. Gilbert W. Chapman, June 2, 1934–December 31, 1944

A work made of stoneware with matte white glaze.

Blossoming (Saku), 2014

Satoko Fujikasa

A work made of woodcut in black on cream japanese paper.

Untitled, 1966, printed 2016

Martin Puryear

A work made of sandstone.

Buddha with Attendants on Mythical Animal, Dvaravati period, 7th‒8th century

A work made of offset lithograph, from the portfolio "time exposed" (1991).

Ionian Sea, Santa Cesarea, 1990, printed 1991

Hiroshi Sugimoto

A work made of oil on canvas.

Bad Times, 1970

Philip Guston

Painting depicting Christ anointed by a woman in yellow, seated centrally at a crowded table of guests with long thin grayish faces in colorful robes with strong white highlights. In the background, tall grey archways, a steepled building, and city architecture.

The Feast in the House of Simon, c. 1608–14

El Greco (Doménikos Theotokópoulos) and workshop

A work made of book with 12 etchings hors-texte, 67 wood engravings, and crayon, with black morocco binding.

Le Chef-d'oeuvre inconnu (The Unknown Masterpiece), published 1931, reworked late 1950s

Pablo Picasso

A work made of etching, with scraping and engraving, on copper in black on ivory laid paper.

Minotauromachia, March 23–May 3, 1935

Pablo Picasso

A work made of oil on canvas.

Odalisque, 1874

Jules Joseph Lefebvre

A work made of porcelain painted in overglaze polychrome enamels.

Bencharong (Five-Colored) Ware, Covered Jar, 19th century

A work made of porcelain painted in overglaze polychrome enamels.

Bencharong (Five-Colored) Ware, Footed Stem Plate with Foliate Rim, 19th century

A work made of porcelain painted with gilt in overglaze polychrome enamels.

Lai Nam Thong (Gold-Washed) Ware, Miniature Jar with Tiered Cover, 19th century

A work made of porcelain painted in overglaze polychrome enamels.

Bencharong (Five-Colored) Ware, Jar with Tiered Cover, 19th century

A work made of silk, stripes of warp-float faced 7:1 satin weave, warp-float faced 7:1 warp chevron twill weave and plain weave; pieced; stars: silk, warp-float faced 7:1 and 4:1 satin and plain weaves; some self-patterned by complementary ground wefts or by warp and weft floats; some in stripe of both weaves with supplementary patterning warps; some with impressed patterning; some warp ikat dyed; some printed; and silk and cotton, plain weave self-patterned by weft floats; pieced; quilted with silk threads; edged with ribbon of silk, stripes of warp-float facd 4:1 satin weave and plain weave with extended weft loops; backing: cotton, plain weave; glazed; batting: cotton.

Bedcover (Lone Star Variation Quilt), c. 1845/50

Ruth Hart

A work made of porcelain painted in overglaze polychrome enamels.

Bencharong (Five-Colored) Ware, Bowl, 19th century

A work made of porcelain painted in overglaze polychrome enamels.

Bencharong (Five-Colored) Ware, Covered Jar, 19th century

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