Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of linen, wool, and silk, slit and double interlocking tapestry weave.

Table Carpet (Depicting Scenes from the Life of Christ), 1600/50

A work made of blue ballpoint pen, colored pencil, and pastel on ivory wove paper.

American Zeppolin Flight from New York City to Paris France in Year 1939, 1969

Joseph Yoakum

A work made of wool and silk, slit and dovetailed tapestry weave warp: count: 6 warps per cm; wool: s-ply of three z-spun elements; diameters: 0.4–0.7 mm weft: count: varies from 16 to 38 wefts per cm; wool: s-ply of two z-spun elements; pairs of s-ply of two z-spun elements; paired yarns of s-ply of two z-spun elements and a single z-spun element; diameters: 0.4–1.5 mm; silk: s-ply of two z-twisted elements (may be replacement wefts); diameters: 0.4–1.0 mm; wool and silk; paired yarns of s-ply of two z-spun wool elements and s-ply of two z-twisted silk elements; diameters: 1.0–1.4 mm. three-quarters of piece rewoven.

Justitia (Justice) from Los Honores, 1525-1532

Bernard van Orley

A work made of lithograph on paper.

Woman (The Sphinx), 1899

Edvard Munch

Black and white with floral-like shapes closing in a semi-circle.

Celestial Chaos No. 1, 2014

Tai Xiangzhou

A work made of earthenware and slip.

Fragment of a Drum Chamber, 180 BCE–500 CE

Nasca

A work made of ceramic and pigment.

Bowl with Thickly-Painted Polychrome Zigzag Motif, 650–150 BCE

Paracas

A work made of ceramic and pigment.

Vessel with Bird Beings, 50–500 CE

Nasca

A work made of ceramic and pigment.

Bowl Depicting a Costumed Ritual Performer with Abstract Plants, Holding a Captive, 180 BCE–500 CE

Nasca

A work made of ceramic and pigment.

Double Spout Vessel with Incised and Painted Abstract Feline Head, 650–150 BCE

Paracas

A work made of ceramic and pigment.

Bowl with Anthropomorphic Figure, 650–150 BCE

Paracas

A work made of ceramic and pigment.

Bottle in the Form of a Severed Trophy Head, 180 BCE–500 CE

Nasca

Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats. Five people converse in the center of the composition and a woman with a green face dominates the right foreground.

At the Moulin Rouge, 1892–95

Henri de Toulouse-Lautrec

A work made of tempera on panel.

The Adoration of the Magi, c. 1495

Raffaello Botticini

A work made of charcoal, gouache, and soft pastel on coventry vellum paper, cut and collaged onto white wove paper.

JB and Bobby, 2018

Nathaniel Mary Quinn

A work made of oil on linen.

Bountiful Landscape, 1976

Evelyn Statsinger

A work made of padauk, oak, and ivory.

The Brand Cabinet, c. 1743

William Hallett

A work made of carved limestone, bas relief.

Ogden Avenue Bridge House Panel, Chicago, Illinois, 1932 (demolished about 1994)

Scipione Del Campo

A freestanding screen with a varnished wooden frame features a floral motif with long pink petals and multitonal green leaves.

Honeysuckle Fire Screen, Design early to mid-1890s

May Morris

A freestanding screen with a varnished wooden frame features a single panel with a central vase and floral motif in shades of pink and pale yellow.

Flowerpot Fire Screen, Design early 1880s

William Morris

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