Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

Three Women, Morocco, 1951, printed 1951/52

Irving Penn

A work made of oil on canvas.

Rainy Day, 1906

Frank Weston Benson

A work made of oil on canvas.

The Hippodrome, London, 1902

Everett Shinn

A work made of offset lithograph in blue on coated white wove paper.

Now! Hairy Who Makes You Smell Good, 1968

Jim Nutt

A work made of photostat print.

The Street, 1964

Romare Howard Bearden

A work made of stencil.

Nurse, March 21, 1944

Fedor V. Antonov

A work made of graphite on paper.

Two Women Bathing, early 20th century

Hashiguchi Goyô

A work made of brush and black ink on ivory laid paper.

Three Women Beneath a Tree, 1936

Diego Rivera

A work made of woodcut in black, over monotype in green-blue, yellow, and pink opaque watercolor on gray wove paper.

Two Seated Women, 1912

Erich Heckel

A work made of oil on canvas.

Jupiter Rebuked by Venus, c. 1612

Abraham Janssens

Four women with musical instruments lounge in a massive garden courtyard.

The Interior of the Palm House on the Pfaueninsel Near Potsdam, 1834

Carl Blechen

A work made of terracotta, red-figure.

Stamnos (Mixing Jar), about 450 BCE

Chicago Painter

Large painting of people in a crowded park, brushstrokes are dots.

A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89

Georges Seurat

A work made of stencil.

Welcome!, April 19, 1944

Vladimir I. Ladiagin

A work made of variable media.

Prentice Women's Hospital, 1962/94

Bertrand Goldberg

A work made of soft ground etching with foul biting in black on ivory wove paper.

Two Women Drying Themselves, 1895

Suzanne Valadon

A work made of oil on canvas.

Maternité, c. 1921/49

Salcia Bahnc

Impressionist painting of woman wearing green dress trying on hats.

The Millinery Shop, 1879-86

Hilaire Germain Edgar Degas

A square-shape textile with a dual multicolor border features a painted five-by-four grid of images with the repeated face of a Black woman with short hair, Bessie Smith. Her face appears blue in each instance, while the outline of her facial features, her hair, and clothing alternate colors in varying shades of yellow and orange. The background of each square likewise alternates between shades of blue and green, some with an influx of red.

American Collection #5: Bessie's Blues, January 19, 1997

Faith Ringgold

A work made of oil on canvas.

Time Unveiling Truth, 1740–45

Pompeo Girolamo Batoni

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