Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of charcoal and wetted charcoal, with stumping and erasing, on cream wove paper, selectively fixed.

Heads of Tahitian Women, Frontal and Profile Views, 1891/93

Paul Gauguin

A work made of oil on canvas.

Rainy Day, 1906

Frank Weston Benson

A work made of charcoal, with stumping, touches of brush and gray wash, and traces of graphite on ivory wove paper.

Two Women Wearing Slips, n.d.

Jules Pascin

A work made of oil on canvas.

The Hippodrome, London, 1902

Everett Shinn

A work made of photostat print.

The Street, 1964

Romare Howard Bearden

Large painting of people in a crowded park, brushstrokes are dots.

A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89

Georges Seurat

A work made of terracotta, red-figure.

Stamnos (Mixing Jar), about 450 BCE

Chicago Painter

Four women with musical instruments lounge in a massive garden courtyard.

The Interior of the Palm House on the Pfaueninsel Near Potsdam, 1834

Carl Blechen

A work made of oil on canvas.

Jupiter Rebuked by Venus, c. 1612

Abraham Janssens

A work made of stencil.

Nurse, March 21, 1944

Fedor V. Antonov

A work made of gelatin silver print.

Three Women, Morocco, 1951, printed 1951/52

Irving Penn

Impressionist painting of woman wearing green dress trying on hats.

The Millinery Shop, 1879-86

Hilaire Germain Edgar Degas

A work made of stencil.

Welcome!, April 19, 1944

Vladimir I. Ladiagin

A work made of brush and black ink on ivory laid paper.

Three Women Beneath a Tree, 1936

Diego Rivera

A work made of graphite on paper.

Two Women Bathing, early 20th century

Hashiguchi Goyô

A work made of oil on canvas.

Time Unveiling Truth, 1740–45

Pompeo Girolamo Batoni

A work made of woodcut in black, over monotype in green-blue, yellow, and pink opaque watercolor on gray wove paper.

Two Seated Women, 1912

Erich Heckel

A square-shape textile with a dual multicolor border features a painted five-by-four grid of images with the repeated face of a Black woman with short hair, Bessie Smith. Her face appears blue in each instance, while the outline of her facial features, her hair, and clothing alternate colors in varying shades of yellow and orange. The background of each square likewise alternates between shades of blue and green, some with an influx of red.

American Collection #5: Bessie's Blues, January 19, 1997

Faith Ringgold

A work made of oil on canvas.

The Bathers, 1884

William Adolphe Bouguereau

A work made of pastel, over etching, aquatint, drypoint, and crayon électrique on tan wove paper.

Mary Cassatt at the Louvre: The Paintings Gallery, 1885

Hilaire Germain Edgar Degas

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