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A work made of black ink monotype from a glass matrix, over watercolor monotype from a paper matrix, with touches of metallic oil-based media, on thin cream japanese paper laid down on cream wove paper (an imitation japanese vellum).

Two Standing Tahitian Women, 1894

Paul Gauguin

A man in a blue tunic carries another in a decorative tan tunic. He is superimposed on a didactic like map. There is writing in the upper left and bodies along the lower border with trees.

We Must Bear, 2014

Nilima Sheikh

A work made of oil on canvas.

On the Bank, c. 1915

Frederick Carl Frieseke

Painting of a cliff overlooking the sea. Two figures in long dresses, one with a parasol, stand on the cliff beneath blue sky.

Cliff Walk at Pourville, 1882

Claude Monet

A work made of gouache, over graphite, on off-white laid paper, laid down on gray board.

Elegant Women at the Trifle, 1919/20

Raoul Dufy

A work made of charcoal, with touches of stumping on ivory laid paper, discolored to cream, fixed.

Three Women, 1928

Léopold Survage

A work made of gelatin silver print, from the portfolio "women are beautiful" (1981).

Hippy Hollow, Lake Travis, Austin Texas (Nude Woman Wading into Water), 1973

Garry Winogrand

A work made of oil on canvas.

The Terrace, c. 1660

Dutch

A diagonal line of leaping ballet dancers recedes from a starkly lit dancer partially visible at bottom left. All are broadly painted against a blue-green ground above them, pale pink below. They have obscured features and are highlighted in yellow and green. A conductor's hands emerge at bottom.

Ballet Dancers, 1885–86

Henri de Toulouse-Lautrec

A work made of painted wood, tin, canvas, and lights.

Bicycle Theatre, 1968

June Leaf

A work made of soft ground etching in dark brown on cream laid paper.

Two Women Drying Themselves, 1896

Suzanne Valadon

Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats. Five people converse in the center of the composition and a woman with a green face dominates the right foreground.

At the Moulin Rouge, 1892–95

Henri de Toulouse-Lautrec

A work made of charcoal, pastel, and black chalk, with stumping, touches of colored pencil, and incising, on off-white wove paper.

At the Circus: Work in the Ring, 1899

Henri de Toulouse-Lautrec

A work made of oil on cradled panel.

Approaching Storm, 1864

Eugène Louis Boudin

A pensive faced woman sits, slightly hunched, holding a book.

Interrupted Reading, c. 1870

Jean Baptiste Camille Corot

A work made of colored pencils and pastel, with touches of blue ballpoint pen, on cream wove paper.

Nude Model, Reclining, n.d.

Marion Perkins

A work made of black chalk with brush and brown wash, heightened with lead white (discolored), on tan laid paper, laid down on ivory laid paper.

Women Looking at Religious Tablets, n.d.

Lazzaro Baldi

A work made of bronze.

Arabesque, Modeled 1885–90, cast 1919–21

Hilaire Germain Edgar Degas

Three connected ivory panels carved with scenes from the life of Jesus.

Triptych with Scenes from the Life of Christ, 1350–75

German

A work made of drypoint with open bite and burnishing on buff wove paper.

Women Bathing, 1895

Edvard Munch

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