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A work made of soft ground etching, with aquatint, printed in black and gray inks, on cream wove paper.

View of the City with the Louvre, etc., taken from Pont Marie, from A Selection of Twenty of the Most Picturesque Views in Paris, 1802

Thomas Girtin

A color woodblock print of a white cat with it’s back to us, stares out a window, looking over rooftops, green fields, toward Mt Fuji in the distance. A blue and white bowl and towel sit on the windowsill , on the floor are decorative hair pins.

Asakusa Rice Fields and Torinomachi Festival (Asakusa tanbo Torinomachi mode), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of etching on heavy ivory laid paper.

Ruins of the Antonine Baths [Baths of Caracalla], from Views of Rome, 1765, published 1800–07

Giovanni Battista Piranesi

A work made of color woodblock print; chuban.

Evening Glow of a Lamp (Andon no sekisho), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Suzuki Harunobu

A work made of albumen print, from the album "views of london".

Royal Albert Hall, 1850–1900

Unknown

A work made of color woodblock print; oban.

Ryogoku Bridge and the Great Riverbank (Ryogokubashi Okawabata), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1856

Utagawa Hiroshige

A work made of ink on illustration board.

L-Shaped House in Settlement Units, Multiple Views, c. 1940

Ludwig Karl Hilberseimer

A work made of etching on heavy ivory laid paper.

Tomb of Caecilia Metella, from Views of Rome, 1762, published 1800–07

Giovanni Battista Piranesi

A work made of pen and brown ink, over traces of graphite, on tan laid paper.

View of San Miniato and San Francesco al Monte Outside Florence, n.d.

Valerio Spada

A work made of etching in black on ivory laid paper.

View of a Town on a River Bank, from Vedute, 1735/44

Canaletto

A work made of watercolor on cream wove paper.

View of Venice, n.d.

G. Saetta

A work made of aquatint with etching and hand-coloring on cream wove paper.

View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of etching and aquatint printed in dark brown ink on ivory laid paper.

View of the Campagna of Rome, 1778

Richard Cooper, II

A work made of woodcut in black on off-white wove paper.

Chicago River, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of color woodblock print; oban.

Precints of the Akiba Shrine, Ukeji (Ukeji Akiba no keidai), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of color woodblock print; chuban.

The Evening Glow of a Lamp (Andon no sekisho), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Suzuki Harunobu

A work made of color woodblock print with metallic pigments; shikishiban, surimono.

View of Mount Fuji from a tea house, c. 1820s

Keisai Eisen

A work made of black chalk, with charcoal, heightened with touches of white chalk, over graphite, selectively varnished with gum arabic (recto) and graphite (verso) on brown laid paper.

Emaciated Horse (recto); Frontal View of a Horse (verso), n.d.

Charles Émile Jacque

A work made of watercolor and gouache with scraping, heightened withgum varnish, on cream wove paper, laid down on tan wove paper.

Coastal View with Shipping, 1864

Edwin Hayes

A work made of pen and black ink and brush and watercolor, over traces of graphite, on ivory laid paper, laid down on card.

View of the Grotta di Palazzo with Banquet, c. 1790

Louis Jean Desprez

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