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A work made of etching on ivory china paper collée laid down on white wove paper.

View of the Village of Limay, 1845

Eugène Blery

A work made of etching on heavy ivory laid paper.

A. View of the Tomb of Licinianus Piso on the ancient Appian Way... B. Tomb of the Cornelii..., from Views of Rome, 1764, published 1800–07

Giovanni Battista Piranesi

A work made of color woodblock print; oban.

Senzoku Pond (Senzokuike), from the series "Twenty Views of Tokyo (Tokyo nijukkei)", 1928

Kawase Hasui

A work made of etching on ivory laid paper.

View of Bordeaux, 1866

Maxime Lalanne

A work made of graphite with brush and brown wash on tan wove paper, perimeter mounted on ivory laid paper.

Sketches of Park Views, Heads, a Horse, 1813/14

Jean Louis André Théodore Géricault

A work made of salted paper print.

Colosseum, Rome, 2nd View, May 1846

Rev. Calvert R. Jones

A work made of etching on heavy ivory laid paper.

View of the Remains of the Forum of Nerva, from Views of Rome, 1757

Giovanni Battista Piranesi

A work made of woodcut in black on off-white wove paper.

Riverview Park, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of etching on heavy ivory laid paper.

Interior view of the Basilica of St. Peter's in the Vatican, near the Tribune, from Views of Rome, 1773

Giovanni Battista Piranesi

A work made of albumen print, plate 61 from the album "photographic views of the sherman campaign" (1866).

Ruins of the R.R. Depot Charleston, S.C., 1865

George N. Barnard

A work made of salted paper print.

View of the Boulevards at Paris, 1843

William Henry Fox Talbot

A work made of 47 albumen silver prints.

Photographs of Views of Rome, c. 1857

Robert MacPherson

A work made of watercolor with black pastel on ivory wove paper, partially laid down on ivory wove paper.

View in Wales, n.d.

David Cox, the elder

A work made of colored pencil on printed paper.

Block 37 Proposal, Chicago, Illinois, Perspective View from Daley Plaza, 1990

Murphy/Jahn Architects

A work made of salted paper print, from the album "burma views" (1857).

No. 23. Pugahm Myo [Pagan]. Figures in Damayangyee Pagoda [Dhamma-yan-gyi]., 1855, printed 1856

Linnaeus Tripe

A color woodblock print of a landscape scene, blue-green grasses, a winding road with a few travellers, papers blowing in the wind, Mt. Fuji in the background

Ejiri in Suruga Province (Sunshu Ejiri), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", c. 1830/33

Katsushika Hokusai

A work made of color woodblock print.

A Perspective View: The Two Deva Kings Gate of Kinryuzan Temple (Ukie: Kinryuzan niomon no zu), 1781/89

Katsushika Hokusai

A work made of soft ground etching, with aquatint, printed in black and gray inks, on cream wove paper.

View of the City with the Louvre, etc., taken from Pont Marie, from A Selection of Twenty of the Most Picturesque Views in Paris, 1802

Thomas Girtin

A color woodblock print of a white cat with it’s back to us, stares out a window, looking over rooftops, green fields, toward Mt Fuji in the distance. A blue and white bowl and towel sit on the windowsill , on the floor are decorative hair pins.

Asakusa Rice Fields and Torinomachi Festival (Asakusa tanbo Torinomachi mode), from the series "One Hundred Famous Views of Edo (Meisho Edo hyakkei)", 1857

Utagawa Hiroshige

A work made of albumen print, plate 55 from the album "photographic views of the sherman campaign" (1866).

Ruins in Columbia, S.C., No. 2, 1865

George N. Barnard

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