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A work made of color woodblock print with metallic pigments; shikishiban, surimono.

View of Mount Fuji from a tea house, c. 1820s

Keisai Eisen

A work made of black chalk, with charcoal, heightened with touches of white chalk, over graphite, selectively varnished with gum arabic (recto) and graphite (verso) on brown laid paper.

Emaciated Horse (recto); Frontal View of a Horse (verso), n.d.

Charles Émile Jacque

A work made of engraving on paper.

The Rape of a Sabine Woman, Lateral View, c. 1598

Jan Harmensz. Muller

A work made of pen and black ink and brush and watercolor, over traces of graphite, on ivory laid paper, laid down on card.

View of the Grotta di Palazzo with Banquet, c. 1790

Louis Jean Desprez

A work made of watercolor and gouache with scraping, heightened withgum varnish, on cream wove paper, laid down on tan wove paper.

Coastal View with Shipping, 1864

Edwin Hayes

A work made of albumen print, plate 4 from the album "photographic views of the sherman campaign" (1866).

Trestle Bridge at Whiteside, 1864

George N. Barnard

A work made of gelatin silver print.

"Color Solid" device, a color chart in three dimensions (view 2), c. 1977

Unknown

A work made of etching on heavy ivory laid paper.

View of the Fountainhead of the Acqua Paola on Monte Aureo, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of color woodblock print; ogi-e on aiban sheet.

Descending Geese at Shinobazu Pond (Shinobazu rakugan), from the series "Eight Views of the Eastern Capital (Toto hakkei)", 1836/37

Utagawa Hiroshige

A work made of lithograph in black on ivory wove paper.

View from the Foundling House, 1833

François Joseph Dupressoir

A work made of color woodblock print; oban.

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)", 1830/33

Katsushika Hokusai

A work made of color woodblock print; hashira-e.

Woman Viewing Cherry Blossoms, c. 1782

Torii Kiyonaga

A work made of color woodblock print; chuban.

The View from Komagata Hall, from the series "Eight Precincts of Kinryuzan Temple in Asakusa (Asakusa Kinruzan hakkei)", c. 1782

Torii Kiyonaga

A work made of color woodblock print; oban.

Evening Bell of Dojoji (Dojoji no bansho), no. 1 from the series "Eight Views of Children (Osana hakkei)", c. 1764

Torii Kiyomitsu I

A work made of color etching with opaque and translucent watercolors on cream laid paper.

View of the Golden Bend on the Herengracht Canal, Amsterdam, c. 1694

Jan van Call, I

A work made of color woodblock print; chuban.

Descending Geese of the Koto Bridges (Kotoji no rakugan), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Suzuki Harunobu

A work made of albumen print, plate 47 from the album "photographic views of the sherman campaign" (1866).

Savannah River, near Savannah, GA, 1866

George N. Barnard

A work made of etching on heavy ivory laid paper.

View of the Temple of Cybele in the Piazza of the Bocca della Verità, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of color woodblock print; chuban.

Descending Geese of the Koto Bridges (Kotoji no rakugan), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Suzuki Harunobu

A work made of color woodblock print.

Hirosaki Castle, from the series "Eight Views of Cherry Blossoms", 1935

Yoshida Hiroshi

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