Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of etching in black on ivory laid paper.

View of a Town on a River Bank, from Vedute, 1735/44

Canaletto

A work made of color woodblock print; chuban.

The Evening Glow of a Lamp (Andon no sekisho), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Suzuki Harunobu

A work made of aquatint with etching and hand-coloring on cream wove paper.

View above the Falls of Schuylkill, plate three of the first number of Picturesque Views of American Scenery, 1819/21

John Hill

A work made of albumen print, plate 25 from the album "photographic views of the sherman campaign" (1866).

Battle Field of New Hope Church, GA, No. 1, 1866

George N. Barnard

A work made of albumen print, plate 38 from the album "photographic views of the sherman campaign" (1866).

The Potter House Atlanta, 1864

George N. Barnard

A work made of color woodblock print; oban.

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)", 1830/33

Katsushika Hokusai

A work made of woodcut in black on off-white wove paper.

Chicago River, from One-Hundred Views of Chicago, 1967

Bronislaw M. Bak

A work made of albumen print, plate 39 from the album "photographic views of the sherman campaign" (1866).

Rebel Works in Front of Atlanta, GA, No. 1, 1864

George N. Barnard

A work made of watercolor on cream wove paper.

View of Venice, n.d.

G. Saetta

A work made of color woodblock print; ogi-e on aiban sheet.

Descending Geese at Shinobazu Pond (Shinobazu rakugan), from the series "Eight Views of the Eastern Capital (Toto hakkei)", 1836/37

Utagawa Hiroshige

A work made of color woodblock print with metallic pigments; shikishiban, surimono.

View of Mount Fuji from a tea house, c. 1820s

Keisai Eisen

A work made of black chalk, with charcoal, heightened with touches of white chalk, over graphite, selectively varnished with gum arabic (recto) and graphite (verso) on brown laid paper.

Emaciated Horse (recto); Frontal View of a Horse (verso), n.d.

Charles Émile Jacque

A work made of color woodblock print; chuban.

The View from Komagata Hall, from the series "Eight Precincts of Kinryuzan Temple in Asakusa (Asakusa Kinruzan hakkei)", c. 1782

Torii Kiyonaga

A work made of etching and aquatint printed in dark brown ink on ivory laid paper.

View of the Campagna of Rome, 1778

Richard Cooper, II

A work made of gelatin silver print.

"Color Solid" device, a color chart in three dimensions (view 2), c. 1977

Unknown

A work made of gelatin silver print, from the portfolio "views".

Hats, 1963

Will Harvey

A work made of engraving on paper.

The Rape of a Sabine Woman, Lateral View, c. 1598

Jan Harmensz. Muller

A work made of pen and black ink and brush and watercolor, over traces of graphite, on ivory laid paper, laid down on card.

View of the Grotta di Palazzo with Banquet, c. 1790

Louis Jean Desprez

A work made of color woodblock print; oban.

Evening Bell of Dojoji (Dojoji no bansho), no. 1 from the series "Eight Views of Children (Osana hakkei)", c. 1764

Torii Kiyomitsu I

A work made of color woodblock print; chuban.

Descending Geese of the Koto Bridges (Kotoji no rakugan), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Suzuki Harunobu

<<<18192021 >>>