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A work made of lithograph in black on buff wove paper.

The Tuileries Gardens. “- No smoking here, Sir! - You mean in the garden?,” plate 10 from Le Chapitre Des Interprétations, 1843

Honoré-Victorin Daumier

A work made of pen and black ink and brush and gray wash, with charcoal, on cream laid paper.

Fatherly Discipline, 1851/52

Honoré-Victorin Daumier

A work made of lithograph in black, with pen and brown ink and red and blue adhesive spots, from detached caption label, on white wove paper.

Achilles and Agamemnon. Achilles: “- And what do I care about your Troy!,” plate one from Physionomies Tragiques, 1851

Honoré-Victorin Daumier

A work made of lithograph in black on grayish china paper, laid down on white wove paper (chine collé).

The Legislative belly. View of the ministerial benches in the Improstituted House of 1834, plate 18 from L’Association mensuelle, 1834

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

"- Since he is now part of the family, he must also have his portrait taken", plate 269 from Actualités, 1856

Honoré-Victorin Daumier

A work made of terracotta.

One of the Set of the Four Evangelists: John, Modeled c. 1580

Alessandro Vittoria

A work made of lithograph in black on white wove paper.

Rifolard opens the ball and executes a bold dancing step forward, which receives widespread praise, plate 5 from Les Banqueteurs, 1848

Honoré-Victorin Daumier

A work made of lithograph in black on buff wove paper, with letterpress verso.

“- Listen... I saw a hare over there... - Was that a long time ago? - Not at all... it was less than three months ago...,” plate 2 from Croquis De Chasse, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“How silly ! Just look how they run. That's what you get when you are at the wrong place. Just you wait! Next time, tell us in advance and we'll take good care of you...,” plate 1 from Émotions Parisiennes, 1839

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Mr. Jean-Joseph-Chaboulard... first prize for good health!, plate 28 from Professeurs et Moutards, 1846

Honoré-Victorin Daumier

A work made of pen and brown ink and colored crayons with graphite on tan wove paper.

The Rendezvous at Midnight, 1941

Victor Brauner

A work made of lithograph in black on white wove paper.

The Jayotype. "- Mr. Jay: The gentleman is married? - The gentleman: Certainly, but how the devil did you know that? - Mr. Jay: Oh, its that this instrument is perfect, that no curve of the head, no bump on the forehead can escape it. - The gentleman: How ingenious!," plate 60 from Moeurs Conjugales, 1842

Honoré-Victorin Daumier

A work made of bronze.

Alexandre Lecomte, Modeled c. 1832/35, cast 1929/40

Honoré-Victorin Daumier

A work made of color lithograph on cream wove paper.

J.C. Boldoot Eau de Cologne: Parfumerie Amsterdam, c. 1899

Privat-Livemont

A work made of terracotta.

One of the Set of the Four Evangelists: Matthew, Modeled c. 1580

Alessandro Vittoria

A work made of oil on canvas.

Capella, 1964

Victor de Vasarely

A work made of gelatin silver print, with applied graphite.

Untitled (Nude), 1937

Victor Chalupski

A work made of color lithograph on off-white wove paper, laid down on off-white wove paper, laid down on canvas.

Be a Victory Farm Volunteer in the U. S. Crop Corps, 1943

Unknown artist

A work made of watercolor over graphite on ivory wove paper.

Air-Bel, 1941

Victor Brauner

A work made of lithograph in black on ivory wove paper.

General Mortier, the evening before the battle of Waterloo, plate 456, 1835

Honoré-Victorin Daumier

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