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A work made of lithograph in black on white wove paper.

"I never give a tip to the waiter... it encourages celibacy," plate 1 from Les Habitués Des Cafés, 1851

Honoré-Victorin Daumier

A work made of stencil.

Untitled, September 21, 1945

Vladimir I. Ladiagin

A work made of lithograph in black on ivory wove paper.

"So, you want to meddle with the press!," plate 319, 1833

Honoré-Victorin Daumier

A work made of lithograph in black on off-white wove paper.

“- Aren't you getting dressed? - No... I remain like this in my swimming gear all day long, outside the swimming pool. - Even in winter? - Then I put on my hat!,” plate 28 from Croquis D'été, 1858

Honoré-Victorin Daumier

A work made of color woodblock print; oban triptych.

Third Illustration of the Great Victory of Our Forces on the Yellow Sea (Kokai ni okeru wagagun no taisho, dai san zu), 1894

Kobayashi Kiyochika

An upholstered, tufted black leather swivel chair with a wooden casing and metal base, with matching ottoman.

Lounge Chair and Ottoman, 1956

Charles Eames

A work made of lithograph in black on ivory wove paper.

Sappho's Death. “Young ladies, you see where love leads us Under our feet so dainty and small The wretched chasm of an abyss Into which we eventually fall,” plate 49 from Histoire Ancienne, 1843

Honoré-Victorin Daumier

A paddle hairbrush with a wood finish and blonde hair extending about a foot in length from the paddle in place of bristles.

Bless Beauty Hairbrush, 1999

BLESS eine GmbH

A work made of lithograph in black on off-white wove paper.

Black and white, plate 23 from Émotions Parisiennes, 1840

Honoré-Victorin Daumier

A work made of albumen prints (82) with drawings (6) and engraving (3).

Untitled (Victorian Album), 1840/60

Unknown

A work made of etching on heavy ivory laid paper.

Arch of Septimius Severus through which passed the ancient Sacred Way, bringing victors to the Capitol, from Views of Rome, 1750/59

Giovanni Battista Piranesi

A work made of lithograph in black on white wove paper.

A European Concert. Not allowed to participate in this part, plate 171 from Actualités, 1867

Honoré-Victorin Daumier

A work made of mezzotint in black on ivory laid paper.

Man Lighting a Rocket, also called Peace is Better than a Victory, from Communia Gaudia (The Wide-Spread Rejoicing at the Siege of Namur), 1695

Cornelis Dusart

A work made of lithograph in black on white wove paper, with letterpress verso.

Sight, plate 39 from Types Parisiens, August 4, 1839

Honoré-Victorin Daumier

A work made of brush and black ink and gray wash, black chalk and black chalk wash, with spattered gray gouache, pen and black ink, on cream wove paper.

Third Class Carriage, 1864

Honoré-Victorin Daumier

Cranbrook Artists in Residence '78 Poster

Cranbrook Artists in Residence '78 Poster, 1978

Katherine McCoy

A work made of gelatin silver print.

Cindy Lubar as Queen Victoria, 1974

Peter Hujar

A work made of lithograph on buff wove paper.

“- What a shame that I don't speak Chinese... I would love to say something real nice to her and something rather nasty to her husband,” plate 4 from En Chine, 1859

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

"From your obedient subjects receive on your day of honor these two modest bunches of flowers. They will make you rejoice, since the people of France alone has taken over the costs," plate 486, 1835

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“There you are, my dear.... and now I bet you'll be going after other girls....,” plate 1 from Coquetterie, 1839

Honoré-Victorin Daumier

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