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A work made of bronze.

Jean-Marie Fruchard, Modeled c. 1832/35, cast 1929/30

Honoré-Victorin Daumier

A work made of lithograph in black on cream wove paper.

Morning Walk, n.d.

Victor Jean Adam

A work made of lithograph on ivory wove paper.

Victorius Indians Dancing around a Fire, 1910

Max Slevogt

A work made of lithograph in black on white wove paper.

“- Ah yes, those comets, they always predict great misfortunes. It doesn't surprise me at all that poor Madame Galuchet suddenly died last night,” plate 573 from Actualités, October 30, 1858

Honoré-Victorin Daumier

A work made of color lithograph on wove paper.

Troublemaker, plate seven from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show: "Victory over the Sun", 1920–21, published 1923

El Lissitzky

A work made of lithograph in black on white wove paper.

Landscape painters at work, plate 309 from Souvenirs d’artistes, 1862

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier, 1865

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

"Oh! It is as if we were there: the tall one opens her corset and the little one is looking for a flea!," plate 27 from Types Parisiens, 1840

Honoré-Victorin Daumier

A work made of lithograph in black on cream wove paper, with text added in another hand and letterpress verso.

“- Arthur, you had promised me a throne and all you did is put me behind a counter. - Eloise, remember Napoleon's definition of a throne: 'four boards covered with a carpet.' You are sitting on six boards and a cushion,” plate 36 from Moeurs Conjugales, published April 11, 1841

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper, with letterpress verso.

Having finally found the solution to spend the summer of 1857 in a pleasant way, plate 429 from Actualités, 1857

Honoré-Victorin Daumier

A work made of pen and black ink and brush and gray wash, on grayish-cream laid paper, laid down on cream wove paper.

Four Lawyers, 1867/1870

Honoré-Victorin Daumier

A work made of color offset lithograph on ivory wove paper.

Produce for Victory!, 1942

A work made of pen and black ink, with brush and black and gray wash, over traces of charcoal, on ivory wove paper (discolored to cream).

The Three Connoisseurs, after 1869

Honoré-Victorin Daumier

A work made of oil on panel.

Don Quixote and the Windmills, c. 1850

Imitator of Honoré Victorin Daumier

A work made of black crayon and charcoal, on ivory laid paper.

Three Gossips, 1865/1867

Honoré-Victorin Daumier

A work made of lithograph in black on off-white wove paper.

A Family Scene, plate 37 from Croquis D'été, 1858

Honoré-Victorin Daumier

A work made of bronze.

Self-Portrait, Cast 1956

Honoré-Victorin Daumier

A work made of lithograph on paper.

Victor Wallerstein, 1919

Oskar Kokoschka

A work made of lithograph in black on white wove paper.

The Turnstile. A new machine invented by the enemy of crinoline petticoats, plate 15 from L'exposition Universelle, 1855

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

"I never give a tip to the waiter... it encourages celibacy," plate 1 from Les Habitués Des Cafés, 1851

Honoré-Victorin Daumier

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