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A work made of color offset lithograph on ivory wove paper.

Produce for Victory!, 1942

A work made of bronze.

Jean-Auguste Chevandier de Valdrome, Modeled c. 1832–35, cast 1929–40

Honoré-Victorin Daumier

A work made of lithograph on paper.

Victor Wallerstein, 1919

Oskar Kokoschka

A work made of bronze.

Queen Victoria on Horseback, 1853

Thomas Thornycroft

A work made of lithograph in black on white wove paper.

A Gentleman Who Wanted to Study the Habits of Bees too Closely, plate 6 from Pastorales, 1845

Honoré-Victorin Daumier

A work made of bronze.

Jean-Marie Fruchard, Modeled c. 1832–35, cast 1929–30

Honoré-Victorin Daumier

A work made of lithograph in black on cream wove paper.

Morning Walk, n.d.

Victor Jean Adam

A work made of lithograph in black on white wove paper.

“- Ah yes, those comets, they always predict great misfortunes. It doesn't surprise me at all that poor Madame Galuchet suddenly died last night,” plate 573 from Actualités, October 30, 1858

Honoré-Victorin Daumier

An upholstered, tufted black leather swivel chair with a wooden casing and metal base, with matching ottoman.

Lounge Chair and Ottoman, 1956

Charles Eames

A work made of stencil.

Untitled, September 21, 1945

Vladimir I. Ladiagin

A work made of lithograph in black on white wove paper.

Landscape painters at work, plate 309 from Souvenirs d’artistes, 1862

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Looking at the Painting of Manet. “- Why the devil is this fat, red-faced woman in her nightdress called Olympia? - But my dear, perhaps that's the name of the black cat," plate 9 from Croquis Pris Au Salon par Daumier, 1865

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

"Oh! It is as if we were there: the tall one opens her corset and the little one is looking for a flea!," plate 27 from Types Parisiens, 1840

Honoré-Victorin Daumier

A paddle hairbrush with a wood finish and blonde hair extending about a foot in length from the paddle in place of bristles.

Bless Beauty Hairbrush, 1999

BLESS eine GmbH

A work made of lithograph in black on cream wove paper, with text added in another hand and letterpress verso.

“- Arthur, you had promised me a throne and all you did is put me behind a counter. - Eloise, remember Napoleon's definition of a throne: 'four boards covered with a carpet.' You are sitting on six boards and a cushion,” plate 36 from Moeurs Conjugales, published April 11, 1841

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper, with letterpress verso.

Having finally found the solution to spend the summer of 1857 in a pleasant way, plate 429 from Actualités, 1857

Honoré-Victorin Daumier

A work made of pen and black ink and brush and gray wash, on grayish-cream laid paper, laid down on cream wove paper.

Four Lawyers, 1867/1870

Honoré-Victorin Daumier

Cranbrook Artists in Residence '78 Poster

Cranbrook Artists in Residence '78 Poster, 1978

Katherine McCoy

A work made of color woodblock print; oban triptych.

Third Illustration of the Great Victory of Our Forces on the Yellow Sea (Kokai ni okeru wagagun no taisho, dai san zu), 1894

Kobayashi Kiyochika

A work made of pen and black ink, with brush and black and gray wash, over traces of charcoal, on ivory wove paper (discolored to cream).

The Three Connoisseurs, after 1869

Honoré-Victorin Daumier

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