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A work made of lithograph in black on white wove paper.

“- How do you find this saint there.... I tried to not make him look too conventional.... The bourgeois: - I quite agree, a Saint never should look short winded,” plate 80 from Les Bons Bourgeois, 1847

Honoré-Victorin Daumier

A work made of lithograph, with scraping on stone on cream wove paper (sheet folded to form four pages), with text below and letterpress verso (and recto when unfolded).

Great Times for Small Fry..., plate 7 from Types Parisiens, published May 29, 1841

Honoré-Victorin Daumier

A work made of lithograph in black on cream wove paper, with text added in another hand and letterpress verso.

“- Yes alright, but the poor boy's belly is hurting,” plate 13 from Les Papas, published June 30, 1847

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

A Visit to the Salon, 1845

Honoré-Victorin Daumier

A work made of lithograph on ivory wove paper.

Horticulturists of Nanterre tiptoeing at midnight towards the cactus grandiflorus in order to surprise it in its blossoming, plate 323 from Actualités, 1856

Honoré-Victorin Daumier

A work made of lithograph in black on off-white wove paper.

Aquatic fun borrowed from the old Greeks, plate 20 from Croquis D'été, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

A dancer who claims to have preserved the great tradition of VESTRI, plate 12 from Croquis Dramatiques, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Mr. Prudhomme dedicating his son to the new God of the Parisians, plate 366 from Actualités, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

Emotions From the Countryside. “- Have to see how the wine grows… haven't never seen it before…,” plate 436 from Actualités, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- May the devil get the inventor of all these New Year's presents!” Reflection of a sensitive, generous but tormented Parisian father, plate 476 from Actualités, 1858

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

How to Convince a Young Man to Finally Learn to Pay his Respects to his Parents, plate 26 from Professeurs et Moutards (Professors and Rascals), 1846

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper, with letter press, verso.

Proposal for improvement for the theatres in Paris, which will not fail to have its effect during the dog days, plate 4 from Croquis d’Été, 1859

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

It’s strange: nothing is picking up at the stock exchange, not even the chestnut trees!, plate 520 from Actualités, 1858

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

Very High and Mighty Legitimate Brats. Peoples, defend yourselves, tear yourselves to pieces, sacrifice yourselves for these royals, you belong to them, imbeciles, plate 19, 1834

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

The Lesson of the Professor, plate five from Les Comédiens de Société, 1858

Honoré-Victorin Daumier

A work made of lithograph in black on buff wove paper, with letterpress verso.

They succeeded in acclimatizing the Indian potato to the French climate, but it is still a problem to acclimatize the French to the Indian potato!, plate 1 from La Société D'acclimatation, 1858

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

The Drunkard, published, March 3, 1834

Honoré-Victorin Daumier

A work made of gelatin silver print.

Viktoria Park, 1993, printed 2003/04

John Gossage

A work made of gelatin silver print.

Viktoria Park, 1989, printed 2003/04

John Gossage

A work made of etching in black on off-white laid paper.

La Rabonniere, n.d.

Maurice-Victor Achener

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