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A work made of albumen print.

Victor Emmanuel II King of Sardinia, Giuseppe Garibaldi and Camillo Benso, Count of Cavour, 1860–69

Unknown

A work made of gold.

Box, 1865

Rawlins and Sumner

A work made of cotton, plain weave; copperplate printed.

Furnishing Fabric, 1827-40

Philippe Wyngaert

A work made of bronze.

Marie-Jean-Jacques Dupin, Ainé, c. 19th century

Honoré-Victorin Daumier

A work made of etching, with engraving, on cream laid paper.

Portrait of B. Victorius, published 1574

Johannes Sambucus

A work made of albumen print.

Untitled (Victoria Parade, Deal), 1850–1900

Unknown

A work made of gelatin silver print.

Victoria Memorial at Calcutta, Early 20th century

Johnston & Hoffmann

A work made of blackline and color hectograph prints on paper.

Victoria Hotel, Chicago Heights, Illinois, Second Floor Plan, 1892

Adler & Sullivan, Architects

A work made of bronze.

Medal commemorating the Avery Library, 1914

Victor David Brenner

A work made of woodcut on cream japanese paper.

Planting Victory Garden, 1945

Emil Armin

A work made of color lithograph on newsprint.

Victory Portraits of Benjamin Harrison and Levi P. Morton, from Judge, 1888

Unknown artist

A work made of lithograph, with scraping on stone on cream wove paper (sheet folded to form four pages), with text below and letterpress verso (and recto when unfolded).

Great Times for Small Fry..., plate 7 from Types Parisiens, published May 29, 1841

Honoré-Victorin Daumier

A work made of lithograph in black on cream wove paper, with text added in another hand and letterpress verso.

“- Yes alright, but the poor boy's belly is hurting,” plate 13 from Les Papas, published June 30, 1847

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

At 30°C, lucky he who can escape and snooze in the forest of Saint-Germain accompanied by his wife and a few lizards, plate 27 from Les Bons Bourgeois, 1847

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

“- How do you find this saint there.... I tried to not make him look too conventional.... The bourgeois: - I quite agree, a Saint never should look short winded,” plate 80 from Les Bons Bourgeois, 1847

Honoré-Victorin Daumier

A work made of lithograph, with hand-coloring on white wove paper.

The disadvantage of having servants who have previously served at Mr. Duprez', plate 65 from Tout Ce Qu'on Voudra, 1850

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

The Reappearance of the Tritons of the Sea, plate 412 from Actualités, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

View of rue Lacépède during the hunt for a serpent, plate 500 from Actualités, 1858

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper, with letterpress verso.

New Entertainment at the Parisian Evening Parties. The spirit of Mr. Hume shaving the beard of Monsieur de St. Potard and undoing the hair of Madame Coffignon, plate 8 from Ces Bons Parisiens, 1857

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper, with letterpress verso.

The Taste. “Wow! I am not surprised any more why this fellow is so spirited... and he calls me an old beast! Let me have one of these every morning, and I will be full of spirit too,” plate 40 from Types Parisiens, c. 1839

Honoré-Victorin Daumier

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