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A work made of bronze.

First Communion, Dates unknown

Frédéric Charles Victor de Vernon

A work made of bronze.

International Federation of Scientific Academies, Paris 1901-1909, 1901/1909

Frédéric Charles Victor de Vernon

A work made of silver.

Marriage, 1882

Frédéric Charles Victor de Vernon

A work made of bronze.

University of Paris, 1895

Frédéric Charles Victor de Vernon

A work made of copper.

Thirteenth International Congress of Medicine, August 2-9, 1900, 1900

Frédéric Charles Victor de Vernon

A work made of bronze.

Bicycle Race, 1897

Frédéric Charles Victor de Vernon

Picking Fruit (Recogiendo Frutas)

Picking Fruit (Recogiendo Frutas), 1941

Marston Alfred Hamlin

Monopolists

Monopolists, 1941

Marston Alfred Hamlin

Garbage Pickers

Garbage Pickers, 1941

Marston Alfred Hamlin

Beggars

Beggars, 1941

Marston Alfred Hamlin

A work made of color lithograph on cream wove paper, laid down on off-white wove paper, laid down on canvas.

The Monster Has Nowhere To Hide!, 1945

Viktor N. Deni

iMac

iMac, 2002

Jonathan Ive

A work made of etching in dark brown on ivory laid paper.

Pont-Neuf and the Samaritaine Seen from Under the First Arch of the Pont-au-Change, Paris, 1855, after a drawing of the mid–1780s

Charles Meryon

A work made of hand colored watercolor paper on strathmore board.

Victorian Townhouse Extended, Chicago, Illinois, Collage, 1985

Krueck & Olsen

A work made of manuscript correspondence, mixed media, black and white photographic prints, and realia..

Finn Juhl Chair Design Collection, 1950

Finn Juhl

A work made of etching on ivory laid paper.

Pont-au-Change, Paris, about 1784, 1855

Charles Meryon

A work made of lithograph in black on ivory china paper, laid down on white wove paper (chine collé).

At Varenne, Saint-Maur. “There! My country house", plate 418 from Souvenirs d’artistes, 1862

Honoré-Victorin Daumier

A work made of lithograph in black on ivory wove paper.

A large mortar with a short range, plate 488, 1834

Honoré-Victorin Daumier

A work made of lithograph in black on white wove paper.

View of the grand hall. Map, height and view from front of the conductor. Grand alliance between telegraph and music, plate 1 from Souvenir Du Grand Festival Des Orphéonistes, 1859

Honoré-Victorin Daumier

A work made of lithograph on ivory wove paper.

The Illustrated Rebus. “- Singular! I cannot guess the rebus in today's Charivari! - I think I have one word - I have several words - I have it all! I must run and tell my wife,” plate 39 from Les Beaux Jours De La Vie, 1845

Honoré-Victorin Daumier

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