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A work made of gelatin silver print.

Untitled, c. 1969

James Alinder

A work made of color offset lithograph on coated off-white paper.

Visions/Painting and Sculpture: Distinguished Alumni of The School of the Art Institute of Chicago, 1976

Roger Brown

A work made of hardground etching with drypoint and spit-bite aquatint on cream japanese paper, laid down on white wove paper (chine collé).

Untitled II, 2002

Martin Puryear

A work made of lithograph on gray china paper, laid down on wove white paper.

Nude Kneeling, 1941

Max Kahn

A work made of gelatin silver print.

William Edmondson's Sculpture, Nashville, Tennessee, 1941, printed 1953/54

Edward Weston

A work made of gelatin silver print.

Trees on Hillside, 1966

Richard Faller

A work made of color woodblock print.

Evening Scene of Sagano, 1979

Katsuda Yukio

Print in thick black lines of two women, pictured from the shoulders up, in front of three apartment buildings. The woman on the left wears a headwrap. She looks directly at the viewer with eyebrows raised and mouth slightly frowning. The woman on the right is in profile, looking at the other woman.

Special Houses, from The Black Woman (formerly The Negro Woman) (published 1946-47), 1946, printed 1989

Elizabeth Catlett

A work made of etching and aquatint on cream japanese paper, laid down on white wove paper (chine collé).

Untitled, 1999

Martin Puryear

A work made of gelatin silver print, from the portfolio "gypsy wedding" (1970).

Untitled, c. 1970

Wayne Sorce

A work made of gelatin silver print.

Untitled (Bridgeport, Connecticut), 1941

Walker Evans

A work made of gelatin silver print.

Untitled (Bridgeport, Connecticut), 1941

Walker Evans

A work made of color screenprint on off-white wove paper.

Abstraction #213, 1941

Myron Kozman

A work made of watercolor and pen and black ink on ivory wove paper.

Together or Alone III, 1981

John E. Dowell, Jr.

A work made of gelatin silver print.

Broken Window, Oakland, 1953

Merg Ross

A work made of oil on canvas.

William Merchant Richardson French, Director of Art Institute 1879-1914, c. 1905

Louis Betts

A work made of color photographs and acrylic paint on brass.

The Forest Lane II, 1979

Ger van Elk

Two Undetermined Lines

Two Undetermined Lines, 1990

Bernar Venet

A work made of drypoint, with soft ground etching on cream japanese paper, laid down on white wove paper (chine collé).

Shoulders (State 2), 2005

Martin Puryear

A work made of gelatin silver print.

Moonrise, Hernandez, New Mexico, 1941, printed c. 1975

Ansel Adams

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