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A work made of hardground etching with drypoint and spit-bite aquatint on cream japanese paper, laid down on white wove paper (chine collé).

Untitled II, 2002

Martin Puryear

A work made of lithograph on gray china paper, laid down on wove white paper.

Nude Kneeling, 1941

Max Kahn

A work made of gelatin silver print, from the portfolio "gypsy wedding" (1970).

Untitled, c. 1970

Wayne Sorce

A work made of gelatin silver print.

William Edmondson's Sculpture, Nashville, Tennessee, 1941, printed 1953/54

Edward Weston

A work made of gelatin silver print.

Trees on Hillside, 1966

Richard Faller

A work made of color woodblock print.

Evening Scene of Sagano, 1979

Katsuda Yukio

A work made of color screenprint on off-white wove paper.

Abstraction #213, 1941

Myron Kozman

A work made of gelatin silver print.

Untitled (Bridgeport, Connecticut), 1941

Walker Evans

A work made of gelatin silver print.

Untitled (Bridgeport, Connecticut), 1941

Walker Evans

A work made of etching and aquatint on cream japanese paper, laid down on white wove paper (chine collé).

Untitled, 1999

Martin Puryear

A work made of watercolor and pen and black ink on ivory wove paper.

Together or Alone III, 1981

John E. Dowell, Jr.

A work made of gelatin silver print.

Broken Window, Oakland, 1953

Merg Ross

A work made of book with two halftone reproductive prints and two linocuts in black on gray-brown wove paper, stapled along spine.

Roar!: Gauntlets of 1908-1914 (Riav!: Perchatki 1908-1914), 1914

Kasimir Malevich

A work made of graphite and charcoal on strathmore board.

Early Study for the Library and Administration Building, Illinois Institute of Technology, Chicago, Illinois, Perspective, c. 1941–1944

Ludwig Mies van der Rohe

A work made of color photographs and acrylic paint on brass.

The Forest Lane II, 1979

Ger van Elk

A work made of gelatin silver print.

Moonrise, Hernandez, New Mexico, 1941, printed c. 1975

Ansel Adams

Two Undetermined Lines

Two Undetermined Lines, 1990

Bernar Venet

A work made of drypoint, with soft ground etching on cream japanese paper, laid down on white wove paper (chine collé).

Shoulders (State 2), 2005

Martin Puryear

A work made of gelatin silver print.

David H. McAlpin, New York, No. 3 from the "Fiftieth Anniversary Portfolio 1902–1952", 1941, printed 1952

Edward Weston

A work made of etching in black ink on cream japanese paper.

Museum of Science and Industry from Japanese Bridge, n.d.

Bertha E. Jaques

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