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A work made of hardground etching with drypoint and spit-bite aquatint on cream japanese paper, laid down on white wove paper (chine collé).

Untitled II, 2002

Martin Puryear

A work made of color offset lithograph on coated off-white paper.

Visions/Painting and Sculpture: Distinguished Alumni of The School of the Art Institute of Chicago, 1976

Roger Brown

A work made of oil on canvas.

William Merchant Richardson French, Director of Art Institute 1879-1914, c. 1905

Louis Betts

A work made of color woodblock print.

Tamiya Village, Saitama (Saitama Tamiyamura), 1941

Kawase Hasui

A work made of gelatin silver print.

Trees on Hillside, 1966

Richard Faller

A work made of color woodblock print.

Evening Scene of Sagano, 1979

Katsuda Yukio

A work made of etching and aquatint on cream japanese paper, laid down on white wove paper (chine collé).

Untitled, 1999

Martin Puryear

A work made of gelatin silver print, from the portfolio "gypsy wedding" (1970).

Untitled, c. 1970

Wayne Sorce

A work made of watercolor and pen and black ink on ivory wove paper.

Together or Alone III, 1981

John E. Dowell, Jr.

A work made of lithograph on gray china paper, laid down on wove white paper.

Nude Kneeling, 1941

Max Kahn

A work made of gelatin silver print.

Broken Window, Oakland, 1953

Merg Ross

A work made of gelatin silver print.

William Edmondson's Sculpture, Nashville, Tennessee, 1941, printed 1953/54

Edward Weston

A work made of gelatin silver print.

Untitled (Bridgeport, Connecticut), 1941

Walker Evans

A work made of gelatin silver print.

Untitled (Bridgeport, Connecticut), 1941

Walker Evans

A work made of color screenprint on off-white wove paper.

Abstraction #213, 1941

Myron Kozman

A work made of color photographs and acrylic paint on brass.

The Forest Lane II, 1979

Ger van Elk

A work made of book with two halftone reproductive prints and two linocuts in black on gray-brown wove paper, stapled along spine.

Roar!: Gauntlets of 1908-1914 (Riav!: Perchatki 1908-1914), 1914

Kasimir Malevich

Two Undetermined Lines

Two Undetermined Lines, 1990

Bernar Venet

A work made of drypoint, with soft ground etching on cream japanese paper, laid down on white wove paper (chine collé).

Shoulders (State 2), 2005

Martin Puryear

A work made of etching in black ink on cream japanese paper.

Museum of Science and Industry from Japanese Bridge, n.d.

Bertha E. Jaques

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