Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of brush and black ink, and graphite, on ivory wove paper.

Diagonal Causing Circled Cross, 1973

Richard Tuttle

A work made of gelatin silver print.

Mt. St. Helens, Washington, 1982/85

Emmet Gowin

A work made of screenprint in gray and silver on heavy white-wove paper.

Words 1931, c. 1970

Rudolf Baranik

A work made of color lithograph on white wove paper.

Art 1981 Chicago Print, 1981

Robert Motherwell

Oyamazaki Villa Museum, Kyoto, Japan, Site Plan

Oyamazaki Villa Museum, Kyoto, Japan, Site Plan, 1998

Tadao Ando

A work made of cotton, plain weave; screen printed.

Kamelia (Camellia) (Furnishing Fabric), 1992

Fujiwo Ishimoto

A work made of linen and wool, plain weave with supplementary brocading wefts.

Homage to Louis Sullivan, 1986

Helena Hernmarck

A work made of gelatin silver print.

Chicago Bar, 1967

Mark Steenerson

A work made of collage (gelatin silver prints, newspaper, and applied ink on paper).

Uri Geller Welcomes Unknown Beings from the Realm of Fables, 1976

Sigmar Polke

A work made of tempera and graphite on ivory wove paper.

Yellow Rain, 1973

Richard Tuttle

A work made of pair of paintings stretched on frames; old documents, mineral pigments, mica, gold and silver on gampi paper.

Galaxy (Fugetsudoten; 風月同天), 2014

Ibe Kyoko

A work made of gouache and graphite stenciled drawing on illustration board.

Tarahumares of the State of Chihuahua, from Mexican Costume, 1941

Carlos Mérida

A work made of wood engraving block.

Matrix for What May Come (Mexico, 1945), 1945

Leopoldo Méndez

Painting of a crowded bar scene where African American people dance and drink together, some sitting at the bar, some at small tables, and many on the dance floor.

Nightlife, 1943

Archibald John Motley Jr.

A work made of gelatin silver print.

Untitled, 1961/71

José Lopez

A work made of aquatint on off-white wove paper.

The Kiss of the Infant Jesus, 1980

Dan Ramirez

A work made of carved oak.

Auditorium Building: Section of the Hotel Bar, 1887/89 (demolished c. 1941)

Adler & Sullivan, Architects

Print in black ink of of a black male sprawled on his back with eyes open, a noose around his neck. The feet of several other men are visible near him at the top of the print.

And a Special Fear for My Loved Ones, from The Black Woman [formerly The Negro Woman] (published 1946-47), 1947, printed 1989

Elizabeth Catlett

A work made of soft ground etching on cream japanese paper, laid down on white wove paper (chine collé).

Untitled III (State 2), 2002

Martin Puryear

A work made of collage with watercolor on cream wove paper laid down on white wove paper.

Collage Drawing, 1977

Richard Tuttle

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