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A work made of gelatin silver print.

Untitled (Two Young Women at a Party), 1975

Larry Fink

A work made of color lithograph on white wove paper.

Art 1981 Chicago Print, 1981

Robert Motherwell

A work made of carved oak.

Auditorium Building: Section of the Hotel Bar, 1887/89 (demolished c. 1941)

Adler & Sullivan, Architects

A work made of gelatin silver print.

Joliet, Illinois, 1973

José Lopez

Painting of a crowded bar scene where African American people dance and drink together, some sitting at the bar, some at small tables, and many on the dance floor.

Nightlife, 1943

Archibald John Motley Jr.

A work made of etching and drypoint on white wove paper.

Death by Suffocation, 1965–66

Art Green

A work made of gelatin silver print.

First Communion, 1969

Larry Fink

A work made of gouache and graphite stenciled drawing on illustration board.

Aztecs of the State of Mexico, from Mexican Costume, 1941

Carlos Mérida

A work made of gouache and graphite stenciled drawing on illustration board.

Tarascans of the State of Michoacán (A), from Mexican Costume, 1941

Carlos Mérida

A work made of five-color screenprint on paper.

Paul Revere, 1941

Reuben Kadish

A work made of wood engraving block.

Matrix for What May Come (Mexico, 1945), 1945

Leopoldo Méndez

A work made of color lithograph and silkscreen on white wove paper.

1986 Navy Pier, 1986

Roger Brown

A work made of color woodblock print.

Title Unknown

Katsuda Yukio

Painting of a bone-white cow's skull directly centered in a vertical canvas, adorned with gray-white roses. The background behind the skull is similarly pale and appears to depict stone, a deep black gap between sheets of stone bisecting the painting from top to bottom.

Cow's Skull with Calico Roses, 1931

Georgia O'Keeffe

A work made of sixteen gelatin silver prints.

The Alcoholic, 1978

Gilbert & George

A work made of etching on cream laid japanese paper.

Duneland, n.d.

Bertha E. Jaques

Print in black ink of of a black male sprawled on his back with eyes open, a noose around his neck. The feet of several other men are visible near him at the top of the print.

And a Special Fear for My Loved Ones, from The Black Woman [formerly The Negro Woman] (published 1946-47), 1947, printed 1989

Elizabeth Catlett

A work made of gelatin silver print.

Meraux Plantation House, Louisiana, 1941, printed 1953/54

Edward Weston

A work made of gelatin silver print.

Cracked Canvas, El Cerrito, 1957

Merg Ross

A work made of offset lithographs.

Rock, Paper, Scissors, c. 1978

Susan Friedman

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