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A work made of oil paint on white wove paper.

Untitled, 1941/42

László Moholy-Nagy

A work made of various.

Irma Bartman House, Design #1, "Hickory Hill House", 1941

Bruce Alonzo Goff

A work made of stencil.

Donbass Is Reviving!, September 1944

Viktor P. Sokolov

A work made of screenprint in blue ink on brown envelope.

Da Hairy Who Foyer - For Ya Prince, 1967–68

The Hairy Who (Art Green, Gladys Nilsson, Jim Nutt, Jim Falconer, Suellen Rocca, and Karl Wirsum)

A work made of color screenprint on japanese paper.

Unemployed, 1941

Chet Harmon La More

A work made of color woodblock print.

Sunflower, 1981

Katsuda Yukio

A work made of brush and black and gray wash, with pen and purple ink, on ivory wove paper.

Cupola, 1941

Henry Moore

A work made of stencil.

One More Blow Against Fascism, January 3, 1945

Mikhail M. Solov'ev

A work made of color lithograph on ivory wove paper.

Little Nimbus, 1979

Roger Brown

A work made of silver.

Punch Bowl, Ladle, and Tray, 1911

Robert Riddle Jarvie

A work made of oil paint, with graphite on cream wove paper, edge mounted with brown paper strips to canvas, stretched on a wooden stretcher.

Still Life, c. 1917

Louis Marcoussis

A work made of gelatin silver print.

Iglesia La Ensenanza, Mexico, c. 1907/24

Guillermo Kahlo

A work made of etching and aquatint in black on cream wove paper.

Introduction to an out-of-town girl, 1968, printed 1970

Roger Brown

A work made of stencil.

The Last Satellite, October 5, 1944

Petr A. Sarkisian

Bright Light Table Lamp

Bright Light Table Lamp, 2010

Ville Kokkonen

A work made of gelatin silver print.

USA Contingent, Closing Ceremony, National Stadium, 1977, printed later

Marilyn Nance

A work made of gouache with watercolor on off-white watercolor paper.

Woman Feeding Pigeons, Grant Park, 1941

Edgar Britton

A work made of screenprint on kromekote paper.

Study for Holograms, 1970

Bruce Nauman

A work made of color screenprint on white wove paper.

Magic, 1967

Roger Brown

A work made of soft ground etching, spit-bite, drypoint and aquatint in black and gray on cream wove paper, laid down on white wove paper (chine collé).

Phrygian, 2012

Martin Puryear

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